T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
C |
= |
3 |
- |
6 |
COSMIC |
62 |
26 |
8 |
M |
= |
4 |
- |
6 |
MOTHER |
79 |
34 |
7 |
- |
- |
16 |
- |
20 |
First Total |
|
|
|
- |
- |
4+6 |
- |
2+0 |
Add to Reduce |
2+2+5 |
9+9 |
2+7 |
Q |
- |
|
- |
2 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
- |
|
R |
|
|
|
- |
|
|
|
|
I |
|
|
M |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
8 |
|
- |
|
|
|
|
|
- |
|
6 |
1 |
|
9 |
|
|
- |
6 |
|
8 |
|
|
|
|
|
3+8 |
= |
|
1+1 |
|
= |
|
|
|
|
8 |
|
- |
|
|
|
|
|
- |
|
15 |
19 |
|
9 |
|
|
- |
15 |
|
8 |
|
|
|
|
|
7+4 |
= |
|
1+1 |
|
= |
|
|
|
|
|
|
- |
|
R |
|
|
|
- |
|
|
|
|
I |
|
|
M |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
|
|
|
|
2 |
|
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
|
|
4 |
- |
3 |
|
4 |
|
2 |
|
5 |
9 |
|
|
|
6+1 |
= |
|
|
|
= |
|
|
|
20 |
|
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
3 |
|
|
13 |
- |
3 |
|
13 |
|
20 |
|
5 |
18 |
|
|
|
1+5+1 |
= |
|
= |
|
= |
|
|
|
|
|
|
- |
|
R |
|
|
|
- |
|
|
|
|
I |
|
|
M |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
|
|
|
|
20 |
8 |
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
3 |
15 |
19 |
13 |
9 |
3 |
|
13 |
15 |
20 |
8 |
5 |
18 |
|
|
|
2+2+5 |
= |
|
|
|
= |
|
|
|
2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
6 |
1 |
4 |
9 |
3 |
|
4 |
6 |
2 |
8 |
5 |
9 |
|
|
|
9+9 |
= |
|
1+8 |
|
= |
|
|
|
|
|
|
- |
|
R |
|
|
|
- |
|
|
|
|
I |
|
|
M |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
- |
|
|
|
1 |
- |
- |
- |
|
|
- |
|
- |
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
- |
|
- |
|
- |
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
- |
- |
|
|
- |
|
- |
- |
|
- |
- |
- |
|
|
|
- |
|
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
- |
- |
|
|
- |
|
- |
- |
|
- |
- |
|
|
|
|
4 |
|
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
-- |
- |
- |
|
- |
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+5 |
|
|
- |
- |
|
|
- |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
- |
6 |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
- |
- |
|
- |
- |
7 |
|
- |
|
- |
- |
- |
|
- |
- |
|
- |
|
- |
|
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
-- |
- |
|
|
- |
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
- |
|
- |
8 |
|
|
|
|
|
occurs |
x |
|
= |
|
1+6 |
|
|
- |
- |
- |
- |
- |
|
9 |
- |
|
- |
- |
- |
|
- |
|
|
- |
|
- |
|
- |
|
- |
9 |
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
- |
|
R |
|
|
|
- |
|
|
|
|
I |
|
|
M |
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
4+5 |
2+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
|
- |
|
|
|
|
|
|
|
4+5 |
- |
|
2+0 |
- |
9+9 |
- |
3+6 |
9 |
2 |
T |
H |
E |
- |
|
R |
E |
|
T |
- |
C |
O |
S |
M |
I |
C |
|
M |
|
T |
|
E |
R |
|
|
9 |
|
|
2 |
|
|
|
|
|
|
2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
6 |
1 |
4 |
9 |
3 |
|
4 |
6 |
2 |
8 |
5 |
9 |
|
- |
|
- |
- |
|
|
1+8 |
|
|
|
|
T |
H |
E |
- |
|
R |
E |
|
T |
- |
C |
O |
S |
M |
I |
C |
|
M |
|
T |
|
E |
R |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
The FULCANELLI Phenomenon
Kenneth Rayner Johnson 1980
The Praxis
Pagew 190
Theoretical physics has become more and more occult, cheerfully breaking every previously sacrosanct law of nature and leaning towards such supernatural concepts as holes in space, negative mass and time ft.owing backwards ... The greatest physicists ... have been groping towards a synthesis of physics and parapsychology.
- Arthur Koestler: The Roots of Coincidence, (Hutchinson, 1972.)
SOLVITE CORPORA ET COAGULATE SPIRITUM
S |
= |
1 |
|
7 |
SOLVITE |
93 |
30 |
3 |
C |
= |
3 |
|
7 |
CORPORA |
86 |
41 |
5 |
E |
= |
5 |
|
2 |
ET |
25 |
7 |
7 |
C |
= |
3 |
|
9 |
COAGULATE |
85 |
31 |
4 |
S |
= |
1 |
|
8 |
SPIRITUM |
125 |
44 |
8 |
|
|
13 |
|
33 |
Add to Reduce |
|
|
|
|
|
1+3 |
|
3+3 |
Reduce to Deduce |
4+1+4 |
1+5+3 |
2+7 |
|
|
4 |
|
6 |
Essence of Number |
|
|
|
-- |
33 |
|
|
|
|
I |
|
|
-- |
|
|
R |
|
|
R |
|
-- |
|
|
-- |
|
|
|
|
|
|
|
|
|
-- |
|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
6 |
|
|
9 |
|
|
- |
|
6 |
|
|
6 |
|
|
- |
|
|
- |
|
6 |
|
|
|
|
|
|
|
- |
1 |
|
9 |
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9 |
|
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= |
|
5+3 |
= |
|
= |
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= |
|
- |
|
19 |
15 |
|
|
9 |
|
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- |
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15 |
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15 |
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15 |
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19 |
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9 |
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9 |
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1+2+5 |
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33 |
|
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2 |
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9 |
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7 |
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3 |
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12 |
22 |
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20 |
5 |
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3 |
|
18 |
16 |
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18 |
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5 |
20 |
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3 |
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1 |
7 |
21 |
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16 |
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18 |
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33 |
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4 |
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5 |
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5 |
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1+5 |
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6 |
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6 |
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3 |
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9 |
7 |
|
9 |
1 |
5 |
2 |
- |
3 |
|
1 |
7 |
3 |
3 |
1 |
2 |
5 |
|
7 |
|
9 |
|
2 |
3 |
4 |
+ |
= |
|
1+0+0 |
= |
|
1+0 |
|
= |
|
|
|
|
12 |
22 |
|
20 |
5 |
3 |
|
18 |
16 |
|
18 |
1 |
5 |
20 |
- |
3 |
|
1 |
7 |
21 |
12 |
1 |
20 |
5 |
|
16 |
|
18 |
|
20 |
21 |
13 |
+ |
= |
|
2+9+8 |
= |
|
1+9 |
|
1+0 |
|
33 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
15 |
12 |
22 |
9 |
20 |
5 |
3 |
15 |
18 |
16 |
15 |
18 |
1 |
5 |
20 |
- |
3 |
15 |
1 |
7 |
21 |
12 |
1 |
20 |
5 |
19 |
16 |
9 |
18 |
9 |
20 |
21 |
13 |
+ |
= |
|
4+2+3 |
= |
|
= |
|
= |
|
|
1 |
6 |
3 |
4 |
9 |
2 |
5 |
3 |
6 |
9 |
7 |
6 |
9 |
1 |
5 |
2 |
- |
3 |
6 |
1 |
7 |
3 |
3 |
1 |
2 |
5 |
1 |
7 |
9 |
9 |
9 |
2 |
3 |
4 |
+ |
= |
|
1+5+3 |
= |
|
= |
|
= |
|
33 |
|
|
|
|
|
|
|
|
|
R |
|
|
R |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
- |
|
|
1 |
|
|
|
1 |
|
|
1 |
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
5 |
= |
|
= |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
2 |
-- |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
2 |
|
|
-- |
-- |
|
occurs |
x |
4 |
= |
|
= |
|
|
|
|
3 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
- |
3 |
|
|
|
3 |
3 |
|
|
|
|
|
|
|
|
|
3 |
|
- |
- |
|
occurs |
x |
6 |
= |
|
1+8 |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
- |
- |
|
occurs |
x |
2 |
= |
|
= |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
5 |
|
-- |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
-- |
-- |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
6 |
|
|
|
|
|
|
6 |
|
|
6 |
|
|
|
|
- |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
4 |
= |
|
2+4 |
|
|
|
|
|
|
|
- |
|
|
|
|
7 |
|
|
|
|
- |
|
|
|
|
7 |
|
|
|
- |
|
|
7 |
|
|
|
- |
|
|
- |
|
|
occurs |
x |
3 |
= |
|
2+1 |
|
|
- |
|
|
- |
9 |
- |
|
|
|
9 |
|
|
9 |
|
|
- |
- |
|
|
|
|
- |
|
|
- |
|
- |
|
9 |
9 |
9 |
- |
- |
|
- |
- |
|
occurs |
x |
6 |
= |
|
5+4 |
|
33 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
|
3+3 |
|
1+5+3 |
|
5+4 |
6 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
- |
|
|
|
|
|
|
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|
|
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I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
6 |
3 |
4 |
9 |
2 |
5 |
3 |
6 |
|
7 |
6 |
|
1 |
5 |
2 |
- |
3 |
6 |
1 |
7 |
3 |
3 |
1 |
2 |
5 |
1 |
7 |
9 |
|
9 |
2 |
3 |
4 |
|
|
1+0 |
|
|
|
|
|
|
|
6 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
- |
|
|
|
|
|
|
|
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|
|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
-- |
33 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
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|
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|
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|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
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|
|
- |
|
1 |
6 |
|
|
9 |
|
|
|
6 |
|
|
6 |
|
|
|
|
|
6 |
|
|
|
|
|
|
|
1 |
|
9 |
|
9 |
|
|
|
+ |
= |
|
5+3 |
= |
|
= |
|
= |
|
- |
|
19 |
15 |
|
|
9 |
|
|
|
15 |
|
|
15 |
|
|
|
|
|
15 |
|
|
|
|
|
|
|
19 |
|
9 |
|
9 |
|
|
|
+ |
= |
|
1+2+5 |
= |
|
= |
|
= |
|
-- |
33 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
|
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I |
R |
I |
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|
- |
|
|
|
3 |
4 |
|
2 |
5 |
3 |
|
9 |
7 |
|
9 |
1 |
5 |
2 |
3 |
|
1 |
7 |
3 |
3 |
1 |
2 |
5 |
|
7 |
|
9 |
|
2 |
3 |
4 |
+ |
= |
|
1+0+0 |
= |
|
1+0 |
|
= |
|
- |
|
|
|
12 |
22 |
|
20 |
5 |
3 |
|
18 |
16 |
|
18 |
1 |
5 |
20 |
3 |
|
1 |
7 |
21 |
12 |
1 |
20 |
5 |
|
16 |
|
18 |
|
20 |
21 |
13 |
+ |
= |
|
2+9+8 |
= |
|
1+9 |
|
1+0 |
|
-- |
33 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
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|
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|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
19 |
15 |
12 |
22 |
9 |
20 |
5 |
3 |
15 |
18 |
16 |
15 |
18 |
1 |
5 |
20 |
3 |
15 |
1 |
7 |
21 |
12 |
1 |
20 |
5 |
19 |
16 |
9 |
18 |
9 |
20 |
21 |
13 |
+ |
= |
|
4+2+3 |
= |
|
= |
|
= |
|
- |
|
1 |
6 |
3 |
4 |
9 |
2 |
5 |
3 |
6 |
9 |
7 |
6 |
9 |
1 |
5 |
2 |
3 |
6 |
1 |
7 |
3 |
3 |
1 |
2 |
5 |
1 |
7 |
9 |
9 |
9 |
2 |
3 |
4 |
+ |
= |
|
1+5+3 |
= |
|
= |
|
= |
|
- |
33 |
|
|
|
|
|
|
|
|
|
R |
|
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R |
|
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R |
|
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- |
|
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- |
|
1 |
|
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|
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|
1 |
|
|
|
|
1 |
|
|
|
1 |
|
|
1 |
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
5 |
= |
|
= |
|
|
|
|
|
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|
|
2 |
|
|
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|
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2 |
|
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2 |
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|
2 |
|
|
-- |
-- |
|
occurs |
x |
4 |
= |
|
= |
|
|
|
|
|
3 |
|
|
|
|
3 |
|
|
|
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|
|
3 |
|
|
|
3 |
3 |
|
|
|
|
|
|
|
|
|
3 |
|
- |
- |
|
occurs |
x |
6 |
= |
|
1+8 |
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
4 |
- |
- |
|
occurs |
x |
2 |
= |
|
= |
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
-- |
-- |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
6 |
|
|
|
|
|
|
6 |
|
|
6 |
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
4 |
= |
|
2+4 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
7 |
|
|
|
|
- |
|
|
|
7 |
|
|
|
- |
|
|
7 |
|
|
|
- |
|
|
- |
|
|
occurs |
x |
3 |
= |
|
2+1 |
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
9 |
- |
|
|
|
9 |
|
|
9 |
|
|
- |
|
|
|
|
- |
|
|
- |
|
- |
|
9 |
9 |
9 |
- |
- |
|
- |
- |
|
occurs |
x |
6 |
= |
|
5+4 |
|
8 |
33 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
3+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
|
3+3 |
|
1+5+3 |
|
5+4 |
8 |
6 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
6 |
3 |
4 |
9 |
2 |
5 |
3 |
6 |
|
7 |
6 |
|
1 |
5 |
2 |
3 |
6 |
1 |
7 |
3 |
3 |
1 |
2 |
5 |
1 |
7 |
9 |
|
9 |
2 |
3 |
4 |
|
|
1+0 |
|
|
|
|
|
|
|
8 |
6 |
|
|
|
|
I |
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
ADVENT 995 ADVENT
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
15 |
4 |
9 |
19 |
16 |
5 |
18 |
6 |
5 |
3 |
20 |
|
|
|
1+2+7 |
|
|
1+0 |
|
- |
7 |
6 |
4 |
9 |
1 |
7 |
5 |
9 |
6 |
5 |
3 |
2 |
|
|
|
6+4 |
|
|
1+0 |
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
7+2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
6+3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
5 |
|
|
|
|
|
4+5 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
6 |
|
|
|
|
|
|
9+6 |
= |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
9 |
|
|
|
|
|
|
|
1+9 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
|
|
- |
|
|
|
|
7+5 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
6 |
4 |
9 |
1 |
7 |
5 |
9 |
6 |
5 |
3 |
2 |
|
|
|
|
|
|
|
|
- |
7 |
15 |
4 |
9 |
19 |
16 |
5 |
18 |
6 |
5 |
3 |
20 |
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
WHITHER |
91 |
46 |
1 |
5 |
GOEST |
66 |
21 |
3 |
4 |
THOU |
64 |
19 |
1 |
16 |
First Total |
221 |
86 |
5 |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
- |
7 |
Second Total |
5 |
14 |
5 |
- |
Reduce to Deduce |
- |
1+4 |
- |
7 |
Essence of Number |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
WEPWAWET |
|
|
- |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
P |
= |
7 |
- |
- |
P |
16 |
7 |
7 |
- |
|
|
- |
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
A |
= |
1 |
- |
- |
A |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
T |
= |
2 |
- |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
8 |
WEPWAWET |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
OPENER |
|
|
- |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
- |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
- |
P |
16 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
- |
N |
14 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
- |
R |
18 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
6 |
OPENER |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
OF |
|
|
- |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
- |
O |
16 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
- |
F |
6 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
2 |
OF |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
THE |
|
|
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
- |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
- |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
- |
|
- |
|
3 |
THE |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
WAYS |
|
|
- |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
A |
= |
1 |
- |
- |
A |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
Y |
= |
7 |
- |
- |
Y |
25 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
- |
S |
19 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
4 |
WAYS |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
23 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2+3 |
- |
2+3 |
REDUCE |
3+1+1 |
1+1+3 |
2+3 |
- |
|
|
|
|
5+0 |
1+8 |
2+1 |
|
|
|
- |
|
- |
|
DEDUCE |
|
|
|
- |
|
|
|
|
|
|
|
|
|
A
SEASON REASON SEASON
AND
A
TIME FOR EVERY PURPOSE UNDER HEAVEN
URANUS A SON U R A SUN A SUN R U SON A URANUS
The Magic Mountain
Thomas Mann 1875-1955
Page 510
"The higher degrees of Freemasonary were initiates of the 'physica et mystica ,'the representatives of a magic natural science, they were in the main great alchemists"
"…Alchemy :transmuting into gold, the philosophers stone, aurum potabile ."
"In the popular mind, yes. More informedly put, it was purifi-cation, refinement,metamorphosis,
transubstantiation ,into a higher state , of course; the lapis philosophorum, the male female product / Page 511 / of sulphur and mercury,the res bina,the double-sexed prima ma-teria was no more ,and no less, than the principle of levitation, of the upward impulse due to the working of influences from with-out. Instruction in magic if you like."
Page 511"
The primary symbol of alchemic transmutation "
"was par exellence the sepulchre." "The grave? " "Yes, the place of corruption .It comprehends all hermetics, all alchemy, it is nothing else than the receptacle, the well - guarded crystal retort wherein the material is compressed to its final trans-formation and purification."
SOLVITE CORPORA ET COAGULATE SPIRITUM
S |
= |
1 |
|
7 |
SOLVITE |
93 |
30 |
3 |
C |
= |
3 |
|
7 |
CORPORA |
86 |
41 |
5 |
E |
= |
5 |
|
2 |
ET |
25 |
7 |
7 |
C |
= |
3 |
|
9 |
COAGULATE |
85 |
31 |
4 |
S |
= |
1 |
|
8 |
SPIRITUM |
125 |
44 |
8 |
|
|
13 |
|
33 |
Add to Reduce |
|
|
|
|
|
1+3 |
|
3+3 |
Reduce to Deduce |
4+1+4 |
1+5+3 |
2+7 |
|
|
4 |
|
6 |
Essence of Number |
|
|
|
The FULCANELLI Phenomenon
Kenneth Rayner Johnson 1980
Page 195
"As Prince Stanislas Klossowski de Rola expresses it:
'It will thus be clear that the alchemical process of creation, is a
microscopic reconstitution of the process of creation, in
other words a re-creation. It is effected by the interplay of forces symbolized by two dragons, one black and one white, locked in an eternal circular combat. The white one is
winged, or volatile, the black one wingless, or fixed; they are
accompanied by the universal alchemical formula solve et / Page 196 / coagula. This formula and this emblem symbolize the alternating role of the two indespensible halves that compose the whole. Solve et coagula is an injunction to alternate dissolution, which is a spiritualization or sublimation of solids, with coagulation, that is to say a re-matrialization of the purified products of the first operation. Its cyclic aspect is clearly expressed by Nicholas Valois: " Solvite corpora et coagulate spiritum " ; " Dissolve the body and coagulate the spirit." ' note 1
…'But when we marry the crowned king to our red daughter, and in a gentle fire, not hurtful she doth conceIve
an exellent and supernatural son, which permanent life she
doth also feed with a subtle heat, so that he lives at length in our fire…Then he is transformed, and his tincture by help / Page197 / of the fire remains red, as it were flesh. But our son the King
begotten, takes his tincture from the fire, and death even,
and darkness, and the waters flee away. The Dragon shuns the sunbeams which dart through the crevices and our dead
son lives; the king comes from the fire and rejoins with
his spouse,the occult treasures are laid open, and the
virgin's milk is whitened.'
- Tractacus aureus, or Golden Tracate of Hermes.
Or again:
' Take the serpent and place it in the chariot with four
wheels and let it be turned about on the earth until it is
immersed in the depths of the sea , and nothing more is
visible but the blackest Dead sea …and when the vapour is
precipitated like rain… you should bring the chariot from
water to dry land, and then you have placed the four wheels on the chariot and will obtain the result if you will advance
further to the Red Sea, running without running, moving
without motion'
- The Tractate of Aristotle to Alexander the Great.
…" Whatever their names and however many processes might have been applied, the important factor to remember is that the alchemists saw their work as reflective and imitative of the cyclic order of Nature ; of the formation, development and eventual dissolution of the All - followed by its natural
and / Page 198 / inevitable re-formation. ( This may be compared quite favourably with a cyclic universe, which begins as a primal atom containing everything,explodes to form the cosmos, then ultimately collapses back upon itself eventually to repeat the process over again ad infinitum)This process similarly applied on a lesser scale to all living entities including the earth, which went through an obvious cycle of birth, growth, decay death, and re-birth annually. Man himself also followed this assumed pattern of birth, life death and re-birth.
A
SERPENT I PRESENT
METRO
Free 01.12.09
The snake that ate itself
By Tariq Tahir
Page 3
Serpent sees rival. Serpent tries to eat rival. Serpent is in bother...
"IT MUST have seemed like the perfect opportunity for Reggie the hungry King snake.
When confronted by a .free lunch, it was natural for him to want a bite. But the greedy reptile was literally chasing his own tail.
Reggie's owner found him with a mouthful of himself, and headed straight for the vets. Little did he know that Reggie was close to digesting himself. Removing his tail required patience and skill because the snake's teeth face inward.
'Its teeth were acting like a ratchet,' said vet Bob Reynolds ,from Faygate, West Sussex.
'If a snake like this one is kept in a space that is too small. then there is always a temptation for it to lunge at its own tail. They can't spread themselves out and think there tails aew another snake.'
Reggie was close to being put down because his tail was nearly in his stomach, where it would have begun being digested. King snakes are native to California and feed. on rattlesnakes:.and lizards. And, it seems, themselves."
"Bitter end: Loopy Reggie before his life-saving visit to the vet and afterwards (image omitted) in safe hands"
THE LIGHT IS RISING NOW RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
82 |
28 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
- |
- |
|
- |
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
- |
- |
|
- |
|
|
|
|
|
- |
- |
1+0 |
- |
|
|
9+0 |
3+6 |
- |
- |
- |
|
- |
|
|
|
|
|
C |
= |
3 |
9 |
CRUCIFIED |
78 |
51 |
6 |
O |
= |
6 |
2 |
ON |
29 |
11 |
2 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
5 |
CROSS |
74 |
20 |
2 |
O |
= |
6 |
2 |
OF |
21 |
12 |
3 |
O |
= |
6 |
9 |
OPPOSITES |
134 |
44 |
8 |
- |
- |
|
|
First Total |
|
|
|
- |
- |
2+6 |
3+0 |
Add to Reduce |
3+6+9 |
1+5+3 |
2+7 |
Q |
- |
|
|
Second Total |
|
|
|
- |
- |
|
|
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
8 |
|
Essence of Number |
|
|
|
- |
RED |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
2 |
E+D |
9 |
9 |
9 |
3 |
|
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
3 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
18 |
5 |
4 |
|
|
|
2+7 |
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
18 |
5 |
4 |
|
|
|
2+7 |
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
18 |
5 |
4 |
|
|
|
2+7 |
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
1+8 |
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
7 |
|
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
9 |
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
18 |
5 |
4 |
|
|
|
2+7 |
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
18 |
5 |
4 |
|
|
|
2+7 |
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
18 |
5 |
4 |
|
|
|
2+7 |
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
1+8 |
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
9 |
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
5 |
4 |
|
|
|
|
|
|
|
- |
|
|
|
|
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WHEN YOU GO HOME TELL THEM OF US AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY
AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE SHALL REMEMBER THEM
HERMES MERCURIUS HERMES
HEAR ME SAY ME HEAR
MESSAGE
ZEUS RHEA RHEA ZEUS
HEAR US SEE US US SEE US HEAR
YEA
THOUGH
I
WALK
THROUGH
THE
VALLEY OF THE SHADOW OF DEATH
I
WILL FEAR NO EVIL FOR THOU ART WITH
ME
ALWAYS
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT
PLANETS STARS AND LIFE
Page 24
A
proton
is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'
Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made
The Tempest Act 4, scene 1, William Shakespeare
Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep.
2 |
WE |
28 |
10 |
1 |
3 |
ARE |
24 |
15 |
6 |
4 |
SUCH |
51 |
15 |
6 |
5 |
STUFF |
72 |
18 |
9 |
2 |
AS |
20 |
2 |
2 |
6 |
DREAMS |
60 |
24 |
6 |
3 |
ARE |
24 |
15 |
6 |
4 |
MADE |
23 |
14 |
5 |
2 |
ON |
29 |
11 |
2 |
3 |
AND |
19 |
10 |
1 |
3 |
OUR |
54 |
18 |
9 |
4 |
LITTLE |
78 |
24 |
6 |
4 |
LIFE |
32 |
23 |
5 |
2 |
IS |
28 |
10 |
1 |
7 |
ROUNDED |
81 |
36 |
9 |
4 |
WITH |
60 |
24 |
6 |
1 |
A |
1 |
1 |
1 |
5 |
SLEEP |
57 |
21 |
3 |
|
First Total |
|
|
|
6+6 |
Add to Reduce |
7+4+1 |
2+9+1 |
8+4 |
|
Second Total |
|
|
|
1+2 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
Essence of Number |
|
|
|
7 |
WHITHER |
91 |
46 |
1 |
5 |
GOEST |
66 |
21 |
3 |
4 |
THOU |
64 |
19 |
1 |
16 |
First Total |
221 |
86 |
5 |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
- |
7 |
Second Total |
5 |
14 |
5 |
- |
Reduce to Deduce |
- |
1+4 |
- |
7 |
Essence of Number |
5 |
5 |
5 |
The Abbe Sieyes author of the pamphlet What is the third estate? intrigued with Napoleon Bonaparte and became a Consul of the French Republic.
www.age-of-the-sage.org/historical/biography/abbe_sieyes.html
Qu'est-ce que le tiers état? ( What is the third estate? ).
The Abbé Sieyès "... it was in Paris that he spent his last days in 1836."
GOD ONE GOD
AND ONE CHOSEN RACE THE HUMAN RACE
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
|
QUO VADIS |
|
|
|
|
Q |
17 |
8 |
|
|
U |
21 |
3 |
|
|
O |
15 |
6 |
|
|
VADIS |
55 |
19 |
|
9 |
QUO VADIS |
108 |
36 |
18 |
|
|
1+0+8 |
3+6 |
1+8 |
9 |
QUO VADIS |
9 |
9 |
9 |
|
QUO VADIS |
|
|
|
|
VADIS |
55 |
19 |
|
|
Q |
17 |
8 |
|
|
U |
21 |
3 |
|
|
O |
15 |
6 |
|
9 |
QUO VADIS |
108 |
36 |
18 |
|
|
1+0+8 |
3+6 |
1+8 |
9 |
QUO VADIS |
9 |
9 |
9 |
THE ANANGA RANGA OF KALYANA MALLA
Translated By Sir Richard Burton and F. F. Arbuthnot
and
THE SYMPOSIUM OF PLATO
Translated By Benjamin Jowett
Edition 1963
Page 9
THE PLATONIC AND HINDU ATTITUDES TO LOVE AND SEX
by
Kenneth Walker
"PLATO, who was born in 428-7 B.C., devoted four of his dialogues mainly to the questions of love and sexual pleasure, the Lysis, the Symposium, the Phaedrus and the Philebus, qf which the Symposium and the Phaedrus are by far the most important. The opening words of the Philebus state in the clearest possible form the opposing points of view of the popular pursuit of pleasure and the sterner Platonic attitude:
"Philebus was saying that enjoyment and pleasure and delight, and the class of feelings akin to them, are a good to every living being, whereas I contend, that not these, but wisdom and intelligence and memory, and their kindred, right opinion and true reasoning, are better and more desirable than pleasure for all who are able to partake of them, and that to all such who are or ever will be they are the most advantageous of all things. Have I not given, Philebus, a fair statement of the two sides of the argument? "
Although in the Lysis and the Symposium the treatment is poetical and romantic, in the latter dialogue the inferiority of physical love is considerably stressed. /Page 10/ The seeker for truth is advised to proceed step by step, from the love of human forms to the virtually mystical contemplation of the abstract ideal of beauty itself. This is summarised at the conclusion of Socrates' famous speech:
"He who has been instructed thus far in the things of love, and who has learned to see the beautiful in due order and succession, when he comes toward the end will suddenly perceive a nature of wondrous beauty-a nature which in the first place is everlasting, not growing and decaying, or waxing and waning; secondly, not fair in one point of view and foul in another, or at one time or in one relation or at one place fair, at another time or in another relation or at another place foul, as if fair to some and ioul to others, or in the likeness of a face or hands or any other part of the bodily frame, or in any form of speech or knowledge, or existing in any other
being, as for example, in an animal, or in heaven, or in earth, or in any other place; but beauty absolute separate simple and everlasting, which without diminution and without increase, or any change, is imparted to the ever-growing and perishing beauties of all other things. He who from these ascending under the influence of true love, begins to perceive that beauty, is not far from the end. And the true order of going, or being led by another, to the things of love, is to begin from the beauties of earth and mount upwards for the sake of that other beauty, using these as steps only, and from one going on to two, and from two to all fair forms, and from fair arms to fair practices, and from fair practices to fair
notions, until from fair notions he arrives at the /Page 11/absolute beauty, and at last knows what the essence of beauty is ... In that communion only, beholding beauty with the eye of the mind, he will be enabled to bring forth, not images of beauty, but realities (for he has hold not of an image but of a reality), and bringing forth and nourishing true virtue to become the friend of god and be immortal, if mortal man may."
The Phaedrus was written in Athens in the fourth century B.C. and probably in Plato's middle years. The opening theme of the work is the art of rhetoric and this leads to a discussion of love. There follows the memorable allegory of the charioteer, Reason, and his two horses, representing the moral and concupiscent elements in human nature. This formulation of the tripartite nature. of the soul has been fundamental to Western philosophy. Here is the distinction which is reflected in the warring of the flesh and the spirit, of which St. Paul and so many later Christian teachers speak. Plato, it is true, did not make an absolute separation of these two aspects of the soul, aware as he was of the ease with which the higher passes into the lower or the lower can be "tamed and humbled, and follow the will of the charioteer". Such concepts are common in the strains of Christian mysticism. St. Francis would gladly have echoed th sentiment of the great final prayer of this work: "Beloved Pan, and all ye other gods who haunt this place, give me beauty in the inward soul: and may the outward and the inward man be at one". But it is undoubted that from the denigration of the senses, clearly laid down in Plato's last work, the Laws, and which is certainly implicit in the Phaedrus, 'stems the tenacious tradition in the /Page 12/ West that the body and its desires should be treated
with severe discipline, as unworthy of the higher nature of man and tending to deprive him of true happiness and harmony."
"BELOVED PAN AND ALL YE OTHER GODS WHO HAUNT THIS PLACE,
GIVE ME BEAUTY IN THE INWARD SOUL: AND MAY THE OUTWARD AND THE INWARD MAN BE AT ONE".
|
|
2 |
|
7 |
BELOVED |
65 |
29 |
2 |
|
|
7 |
|
3 |
PAN |
31 |
13 |
4 |
|
|
1 |
|
3 |
AND |
19 |
10 |
1 |
|
|
1 |
|
3 |
ALL |
25 |
7 |
7 |
|
|
7 |
|
2 |
YE |
30 |
12 |
3 |
|
|
6 |
|
5 |
OTHER |
66 |
30 |
3 |
|
|
7 |
|
4 |
GODS |
45 |
18 |
9 |
|
|
5 |
|
3 |
WHO |
46 |
19 |
1 |
|
|
8 |
|
5 |
HAUNT |
64 |
19 |
1 |
|
|
2 |
|
4 |
THIS |
56 |
20 |
2 |
|
|
7 |
|
5 |
PLACE |
37 |
19 |
1 |
|
|
|
|
44 |
First Total |
|
|
|
|
|
5+3 |
|
4+4 |
Add to Reduce |
4+8+4 |
1+9+6 |
3+4 |
|
|
|
|
8 |
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+6 |
1+6 |
|
|
|
|
|
8 |
Essence of Number |
|
|
|
|
|
7 |
|
4 |
GIVE |
43 |
25 |
7 |
|
|
4 |
|
2 |
ME |
18 |
9 |
9 |
|
|
2 |
|
6 |
BEAUTY |
74 |
20 |
2 |
|
|
9 |
|
2 |
IN |
23 |
14 |
5 |
|
|
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
9 |
|
6 |
INWARD |
69 |
33 |
6 |
|
|
1 |
|
4 |
SOUL |
67 |
13 |
4 |
|
|
1 |
|
3 |
AND |
19 |
10 |
1 |
|
|
4 |
|
3 |
MAY |
39 |
12 |
3 |
|
|
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
6 |
|
7 |
OUTWARD |
102 |
30 |
3 |
|
|
1 |
|
3 |
AND |
19 |
10 |
1 |
|
|
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
9 |
|
6 |
INWARD |
69 |
33 |
6 |
|
|
4 |
|
3 |
MAN |
28 |
10 |
1 |
|
|
2 |
|
2 |
BE |
7 |
7 |
7 |
|
|
1 |
|
2 |
AT |
21 |
3 |
3 |
|
|
6 |
|
3 |
ONE |
34 |
16 |
7 |
|
|
|
|
65 |
First Total |
|
|
|
|
|
7+2 |
|
6+5 |
Add to Reduce |
7+3+1 |
2+9+0 |
8+3 |
|
|
|
|
11 |
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
|
|
|
|
|
2 |
Essence of Number |
|
|
|
|
|
2 |
|
7 |
BELOVED |
65 |
29 |
2 |
|
|
7 |
|
3 |
PAN |
31 |
13 |
4 |
|
|
1 |
|
3 |
AND |
19 |
10 |
1 |
|
|
1 |
|
3 |
ALL |
25 |
7 |
7 |
|
|
7 |
|
2 |
YE |
30 |
12 |
3 |
|
|
6 |
|
5 |
OTHER |
66 |
30 |
3 |
|
|
7 |
|
4 |
GODS |
45 |
18 |
9 |
|
|
5 |
|
3 |
WHO |
46 |
19 |
1 |
|
|
8 |
|
5 |
HAUNT |
64 |
19 |
1 |
|
|
2 |
|
4 |
THIS |
56 |
20 |
2 |
|
|
7 |
|
5 |
PLACE |
37 |
19 |
1 |
|
|
7 |
|
4 |
GIVE |
43 |
25 |
7 |
|
|
4 |
|
2 |
ME |
18 |
9 |
9 |
|
|
2 |
|
6 |
BEAUTY |
74 |
20 |
2 |
|
|
9 |
|
2 |
IN |
23 |
14 |
5 |
|
|
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
9 |
|
6 |
INWARD |
69 |
33 |
6 |
|
|
1 |
|
4 |
SOUL |
67 |
13 |
4 |
|
|
1 |
|
3 |
AND |
19 |
10 |
1 |
|
|
4 |
|
3 |
MAY |
39 |
12 |
3 |
|
|
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
6 |
|
7 |
OUTWARD |
102 |
30 |
3 |
|
|
1 |
|
3 |
AND |
19 |
10 |
1 |
|
|
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
9 |
|
6 |
INWARD |
69 |
33 |
6 |
|
|
4 |
|
3 |
MAN |
28 |
10 |
1 |
|
|
2 |
|
2 |
BE |
7 |
7 |
7 |
|
|
1 |
|
2 |
AT |
21 |
3 |
3 |
|
|
6 |
|
3 |
ONE |
34 |
16 |
7 |
|
|
|
|
109 |
First Total |
|
|
|
|
|
1+2+5 |
|
1+0+9 |
Add to Reduce |
1+2+1+5 |
4+8+6 |
1+1+7 |
|
|
|
|
10 |
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
- |
1+8 |
|
|
|
|
|
1 |
Essence of Number |
|
|
|
Humanitites Institute Colloquium: Redefining Nature's Boundaries ... - 10:37pm
Plato wrote of his teacher Socrates invoking a prayer in a grove of Attica to Pan, god of nature: “Beloved Pan, and all ye other gods who haunt this place, ...
www.bucknell.edu/x31103.xml - Cached - Similar
Plato wrote of his teacher Socrates invoking a prayer in a grove of Attica to Pan, god of nature: “Beloved Pan, and all ye other gods who haunt this place, give me beauty in the inward soul; and may the outward and inward man be at one.” A few centuries later, the writer Plutarch described the announcement of the death of Pan in the heyday of the Roman Empire. Thamus, an Egyptian pilot called by a mysterious voice while at sea, is told to announce the death of the god. “Looking toward the land, he said the words as he had heard them: ‘Great Pan is dead.’ Even before he had finished there was a great cry of lamentation, not of one person, but of many, mingled with exclamations of amazement.”
Pan (mythology) - Wikipedia, the free encyclopedia
The god, still infatuated, took some of the reeds, because he could not identify ... When you reach Palodes, take care to proclaim that the great god Pan is dead. .... Vinci, Leo (1993), Pan: Great God Of Nature, Neptune Press, London ...
en.wikipedia.org/wiki/Pan_(mythology)
The Death of Pan
Pan, Mikhail Vrubel 1900.If one were to believe the Greek historian Plutarch (in "The Obsolescence of Oracles" (Moralia, Book 5:17)), Pan is the only Greek god who is dead. During the reign of Tiberius (A.D. 14-37), the news of Pan's death came to one Thamus, a sailor on his way to Italy by way of the island of Paxi. A divine voice hailed him across the salt water, "Thamus, are you there? When you reach Palodes,[17] take care to proclaim that the great god Pan is dead." Which Thamus did, and the news was greeted from shore with groans and laments.
Robert Graves (The Greek Myths) suggested that the Egyptian Thamus apparently misheard Thamus Pan-megas Tethnece 'the all-great Tammuz is dead' for 'Thamus, Great Pan is dead!' Certainly, when Pausanias toured Greece about a century after Plutarch, he found Pan's shrines, sacred caves and sacred mountains still very much frequented.
GREAT PAN IS NOT DEAD
neoplatonism : Message: Re: [neoplatonism] Re: hieroglyphs ...
Minotaurus"), and the > Egyptian "Rhadamanthys" ("Ra of Ament," "Ruler of Hades"; Naville, "La > ... M.C. There is a good account of them in F. Boll's Sphaera. Neue ...
groups.yahoo.com/group/neoplatonism/message/680?l=1 - 66k - Cached
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
SIMULATIONS OF GOD
THE SCIENCE OF BELIEF
John Lilly 1975
Page xi
"I am only an extraterrestrial who has come to the / Page xii / planet Earth to inhabit a human body, Everytime I leave this body and go back to my own civilization, I am expanded beyond all human imaginings, When I must return I am squeezed down into the limited vehicle."
TIMELESS EARTH
Peter Kolosimo 1974
Chapter
NINETEEN
Page 192
"The Indians say that thousands of years ago their ancestors travelled on great golden discs which were kept airborne by means of sound vibrations at a certain pitch, produced by continual hammer-blows. This is not so absurd as it may seem. Vibrations of a set frequency may have had the effect of increasing the atomic energy of gold, thus reducing the weight of the disc and enabling it to overcome gravity.'
'… To quote Pauwels and Bergier (op. Cit.,p. 197: ' The U.S. archaeologist Hyatt Verrill spent thirty years investigating the lost civilizations of Central and South America. . . In his fine novel, The Bridge of Light, he described a pre-Incaic city protected by a rocky defile which could only be crossed by a bridge constructed of ionized matter which could be made to appear and diappear at will. Verrill,who died at the age of eighty, insisted to the last that this was much more than a legend, and his wife who survives him, is of the same opinion."
O
NAMUH
BELOVED CHILDREN OF THE LIGHT BLESSED
DREAMER OF DREAMS
AWAKEN
THE
ETERNAL MOMENT
BIRTHS
ITS
FUTURE
EATING IN THE LIGHT OF THE MOON
Anita Johnston 1996
Page 24
A "red herring" describes something designed to confuse or divert attention from something else. Let's say you are following a whodunit and the question is "Who killed the old lady? Was it the maid, the butler, or the chauffeur?" As you are following the mystery along everyone is watching the maid because she was around rhe old lady the most and had been acting suspiciously. At the end of the story, there's a twist and it turns out not to have been the maid v/ho committed the murder, but the butler, who no one suspected because they were busy scrutinizing the maid. The maid is the red herring. She's the distractor.
With disordered eating, food becomes the red herring. It can distract those struggling with an eating disorder as well as concerned family members and friends and even professionals who are trying to help. When we focus on what someone is doing with food we fail to see what the real culprit is. We become caught up in illusions that cause us to stray from the path of recovery, because we start looking for solutions in all the wrong places.
This old English fairy tale is about a girl who longed to touch the stars in the sky.
Every evening, just before falling asleep at night, she would lie in her bed and gaze out at the stars through her bedroom window. On clear nights she would be delighted to see them twinkling ever so brightly. Other nights she would watch them play hide-and-seek with the clouds. On stormy nights, they wouldn't show their faces at all even though she suspected they were still there, hiding behind the clouds.
One warm summer evening when the moon was full the girl decided to satisfy her yearning and set out in search of the stars. She walked and walked until she came to a smooth, glassy pond "Good evening, " the girl said 'Tm off to find the stars in the sky. Can you tel! me how to reach them?"
Page 25
"They're right here in my face, " replied the pond. "jump in and catch them. "
The girl looked at the stars glistening in the pond and jumped right in, her hands cupped so that she might catch one. But not a star did she find.
She went on her way until she came to a bubbling brook.
"Good evening, " said the girl. 'I'm off to find the stars in the sky. Can you help me?"
"Oh, yes, " answered the brook. They are always here, dancing in the water between the stones. Come on in and catch them. "
So the girl waded into the brook, with her hands cupped so she could scoop them up. But not a star did she find.
'1 don't think the stars are really here!" the girl cried in dismay. "Well, they look like they are here, and that's just the same thing, " said the brook.
"No, it's not, " insisted the girl.
She continued on her way until she encountered a group of fairies dancing on a hill. "Good evening, " said the girl as she approached the wee folk. 'I'm off to find the stars in the sky. Cdn you help me?"
"They are right here, in the dew on the grass where we are dancing. Come and dance with us and you will catch one. "
. So the girl danced and danced with the ring of fairies, swooping down with her hands, trying to scoop up some stars. But not a star did she find. In frustration, she sat on a mossy stump and said to the fairies as they whirled by, 'I've searched and searched for the stars but I cannot find them. Can't you help me?"
One of the fairies began to dance around her, and with a high, sweet voice said, "Since you are so determined to find the stars, I will tell you how to reach them: If you will not go backward, then go forward. Be sure to take the right road. Ask Four-Feet to carry you to
Page 26
No-Feet, who will carry you to the Stairs Without Steps. If you can climb them, you will reach the stars. "
The girl quickly stood up and began to go forward, making sure she was on the right road. She came to a horse grazing underneath a tree. "Good evening, " she said. 'Tm off to find the stars in the sky. Can you carry me there?"
'1 don't know the whereabouts of the stars in the sky, " said the horse. "My purpose is to serve the fairies. "
'1 was just dancing with them, " said the girl, "and they told me to ask Four-Feet to carry me to No-Feet."
"Well, I am Four-Feet, and if the fairies say I am to take you to No-Feet, then climb on my back and off we'll go, " said the horse.
The girl rode and rode until they came to the end of the land where the sea stretched out in front of them as far as the horizon. ~y off in the distance was a ribbon of brilliant colors that arched up into the sky.
The girl slid off the horse's back and stood at the water's edge. A very large fish swam up to her. "Good evening, " said the girl. 'Tm looking for the Stairs Without Steps. Can you take me there?"
'1 am not available to serve anyone who asks. I am only to do the bidding of the fairies, " replied the fish.
"I was just dancing with them and was told to ride Four-Feet who would carry me to No-Feet who would carry me to the Stairs \"Without Steps. "
"\Well in that case, hop on my back. I am No-Feet, and I will carry you to the Stairs Without Steps, " said the fish.
Off they went, the girl holding tightly to the fish's back until they reached the horizon where the brilliant colors arched high up into the sky. "Here they are, " said the fish. "Be careful as you go up. They are not easy to climb. "
Page 27
The girl slid off the fish's back and began to climb the bright arch of many colors. The fish was right. They were not easy to climb. But she moved slowly and cautiously, inching her way along. As she became weary she would occasionally lose her grip and slip backwards. It was cold and she was surrounded by darkness, but she pressed on until she reached the top of the arch where she was surrounded by brilliant light. At last! There they were-the stars in the sky! She reached out with her hand to touch one of the shimmering stars. As she reached farther and farther, she suddenly lost her balance, and with a sigh that was half regret, half contentment, she fell, slipping and sliding, faster and faster into the darkness below.
When she opened her eyes, it was morning and she found herself in her bed. 'I did reach the stars, didn't !?" she wondered "Or did I only dream it?"
Then she looked at her hand that was still tightly clenched into a fist, and as she slowly opened it, she saw a speck of stardust.
CONVERSATIONS WITH GOD BOOK 3
An uncommon dialogue
Neale Donald Walshch 1998
Page 347
"Do you remember the parable of The Little Soul and the Sun that I gave you in Book 1?
There is a second half to that parable. Here it is:
"You may choose to lie any Part of God you wish to be," I said to the Little Soul. "You are Absolute Divinity, experiencing Itself. What Aspect of Divinity do you now wish to experience as You?"
"You mean I have a choice?" asked the Little Soul.
And I answered, "Yes. You may choose to experience any Aspect of Divinity in, as, and through you."
"Okay, ," said the Little Soul, "then I choose Forgiveness. I want to experience my Self as that Aspect of God called Complete Forgiveness."
Well, this created a little challenge, as you can imagine.
There was no one to forgive. All I have created is Perfection and Love.
"No one to forgive?" asked the Little Soul, somewhat incredulously.
"No one," I repeated. "Look around you. Do you see any souls less perfect, less wonderful than you?"
At this the Little Soul twirled around and was surprised to see himself surrounded by all the souls in heaven. They had come from far and wide throughout the Kingaom, because they heard that the Little Soul was having an extraordinary conversation with God.
. "I see none less perfect than I!" the Little Soul exclaimed; "Who, then, shall I have to forgive?"
Just then, another soul stepped forward from the crowd. "You may forgive me," said this Friendly Soul.
"For what?" the Little Soul asked.
"I will come into your next physical lifetime and do something for you to forgive," replied the Friendly Soul.
"But what? What could you, a being of such Perfect Light, do to make me want to forgive you?" the Little Soul wanted to know.
-"Oh," smiled the Friendly Soul, "I'm sure we can think of something."
"But why would you want to do this?" ihe Little Soul could not figure out why a being of such perfection would want to slow down its vibration so much that it could actually do something "bad."
"Simple," the Friendly Soul explained, "I would do it becanse I love you. You want to experience your Self as Forgiving, don't you? Besides, you've done the same for me."
"I have?" asked the Little Soul.
"Of course. Don't you remember? We've been All Of it, you and I. We've been the Up and the Down of it, and,-the Left and the -Right of it. We've been the Here _ arId the There of it, and the Now and the Then of it.
We've been the Big and the Small of it, the Male and the Female of it, the Good and the Bad of it. We've all been the All of It.
U And we've done it by agreement, so that each of us might experience ourselves as The Grandest Part of .God. For we have understood that. ...
"In the absence of that which You Are Not, that which You ARE, is NOT.
"In the absence of 'cold,' you cannot be 'warm.' In - the absence of 'sad,' you cannot be 'happy,' withou~ a thing called 'evil,' the experience you call 'good' cannot exist.
If )Iou choose to be a thing, something or someone opposite to that has to show up somewhere in your universe to make that possiple."
The Frienaly Soul then explained that those people are Gcd's Special Angels, and these Connditions God's Gifts. "I ask only one thing in return," the Friendly Soul deL!!ued.
"Anything! Anything," the Little Soul cried. He was excited now to know that he could experience every _ Divine Aspect of God. He understood, now, The Plan.
Page 349
"In the moment that I strike you and smite you," said the Friendly Soul, "in the moment that I do the worst to you that you could ever imagine-in that selfsame moment ... remember Who I Really Am."
"Oh, I won't forget!" promised the Little Soul. "1 will see you in the perfection with which I hold you now, and I will remember Who You Are, always."
That is ... that is an extraordinary story, an incredible parable.
And the promise of the Little Soul is the promise I make to you. That is what is unchanging. Yet have you, My Little Soul, kept this promise to others?
Do not be sad. Be happy to notice what is true, and be joyous in your decision to live a new truth.
For God is a work in progress, and so are you. And remember this always:
If you saw you as God sees you, you would smile a lot.
So go, now, and see each other as Who You Really Are.
Observe. Observe. OBSERVE.
I have told you-the major difference between you and highly evolved beings is that highly evolved beings observe more.
If you wish to increase the speed with which you are evolving, seek to observe more.
And I would have you now observe that you, too, are an event. You are a human, comma, being. You are a process. And you are, in any given "moment," the product of your process.
Page 351
You are the Creator and the Created. I am saying these things to you over and over again, in these last few moments we have together. I am repeating them so that you will hear them, understand them
Now, this process that you and r are is eternal. It always was, is now, and always will be occurring. It needs no "help" from you in order to occur. It happens "automatically." And, when left alone, it happens perfectly.
There is another saying that has been placed into your culture by Werner Erhard-life resolves itself in the process of life itself.
This is understood by some spiritual movements as "let go and let God." That is a good understanding.
If you will just let go, you will have gotten yourself out of the "way." The "way" is The Process-which is called life itself. This is why all masters have said, "I am the life and the way." They have understood what I hav~ said here perfectly. They are the life, and they are the way-the event in progress, The Process.
All wisdom asks you to do is trust The Process. That is, trust God. Or, if you wish, trust yourself, for Thou Art God.
Remember, We Are All One.
How can I "trust the process" when the "pro~ess"-life-keeps bringins me things I don't like?
Like the things life keeps bringing you!
Know and understand that you are bringing it to your Self.
SEE THE PERFECTION.
See it in everything, not just in things that you call perfect. I have carefully explained to you in this trilogy why things happen the way they happen, and how. You do not need to read that material again here-although it might do you benefit to review it often, until you understand it thoroughly.
Please-just on this one point-a summarizing insight.
Please. How can I "see the perfection" of something that I experience as not perfect at all?
No one can create your experience of anything. Other beings can, and do, co-create the exterior circumstances and events of the life you live in common, but the one thing that no one else can do is cause you to have an experience of ANYTH ING you do not choose to experience.
In this, you are a Supreme being. And no one-NO ONE-ean tell you "how to be."
The world can present you with circumstances, but only you decide what those circumstances mean.
Remember the truth I gave you long ago. Nothing matters.
Yes. I'm not sure I fully understood it then. That came to me in an out-of-body experience in 1980. I recall it vividly.
That I was confused at first. How could "nothing matter"?
Where would the world be, where would I be, if nothing mattered at all?
What answer did you find to that very good question?
I "got" that nothing mattered intrinsically, in and of itself, but that I was adding meaning to events, and so, causing them to matter. I got this at a very high metaphysical level as well, giving me a huge insight about the Process of Creation itself.
I "got" that all is energy, and that energy turns into "matter" -that is, physical "stuff" and "occurrences"-according to how I thought about them. I understood, then, that "nothing matters" means that nothing turns into matter except as we
THE
GARDEN OF THE GOLDEN FLOWER
THE JOURNEY TO SPIRITUAL FULFILLMENT
Longfield Beatty 1939
Where is the root of the Golden
Flower?
In the garden of the Two Trees.
And where does the flower bloom?
In the Purple Hall of the City of Jade.
Where is this garden?
In the seed water, the moat of the City.
When does the flower bloom?
At the end of the far journey.
What journey?
From water to fire, earth to gold, serpent to eagle;
from father to mother, mother
to son, son to father.
And the cost of the journey?
The blood of father, mother, and son.
Blood, then, is a password?
No, only the Sphinx can teach the password.
Page 207/208
THE CULT OF THE SUN
ADORATION OF RA
by the Scribe and Royal Commander
NEKHT
"He saith, Homage to thee who art brilliant'and mighty! When
thou hast dawned in the horizon of the sky there is praise of
thee in the mouth of all people. Thou art become beautiful and
young as a Disc in the hand of thy Mother. Dawn thou in every
place, thy heart being enlarged forever!
"The divinities of the Two Lands come to thee bowing down,
they give praise at thy shining forth. Thou dawnest in the horizon
of the sky, thou brightenest the Two Lands with Malachite.
"Thou art the Divine Youth, the Heir of Eternity, who begat
himself and brought himself forth, King of this land, ruler of
the Tuat, Chief of the Districts of the Other World who came forth
from the Water, who emerged from Nun, who reared himself and made
splendid his children! "Living God, Lord of Love! All folk
live when thou shinest, dawning as King of the Gods. O Lord of
the Sky, Lord of the Earth, King of Truth, Lord of Eternity, Ruler
of Everlasting, Sovereign of all the Gods, Living God who made
Eternity, who created the sky and established himself therein!
"The Nine are in jubilation at thy shining forth, the earth
is in joy at beholding thy beams, the people come forth rejoicing
to behold thy beauty every day."
And the next quotation is "relayed"
from Budge (op. cit., p. 52:1), having come from Papyrus No. 10188
(Brit. Mus.). There have been some omissions in order to reinforce
as much as possible the particular aspect of it which is our immediate
concern To this end also notes have been added to certain passages
of particular importance.
THE LAMENT OF THE SISTERS
(Isis and Nepthys over
the dead Osiris)
"Beautiful Youth, come
to thy exalted house we see thee not.
"Hail, Beautiful Boy, come
to thy house, draw nigh after thy separation from us.
"Hail, Beautiful Youth, Pilot of Time, who groweth except
at this hour.i
"Holy image of his Father, mysterious essence proceeding
from Tem.
"The Lord I How much more wonderful is he than his Father,ii the first-born son of the womb of his Mother.
"Come back to us in thy actual form; we will embrace thee.
Depart not from us, thou Beautiful Face, dearly beloved one, the
Image of Tem, Master of Love.iii
"Come thou in peace, our Lord, we would see thee.
"Great Mighty One among the Gods, the road which thou travellest
cannot be described.iv
"The Babe, the Child at morn and at eve,v except when thou encirclest the heavens and the earth with
thy bodily form. vi
"Come, thou Babe, growing young when setting,v our Lord, we would see thee.
"Come in peace, Great Babe of His Father, thou art established
in thy house.
"Whilst thou travellest thou art hymned by us,vii and life springeth up for us out of thy nothingness. O our Lord,
come in peace, let us see thee.
"Hail, Beautiful Boy, come to thy exalted house; let thy
back be to thy house. The Gods are upon their thrones. Hail !
Come in peace, King.
"Babe ! How lovely it is to see thee! Come, come to us, 0
Great One, glorify our love.
"O ye gods who are in Heaven.
O ye gods who are in Earth.
O ye gods who are in the Tuat.
O ye gods who are in the Abyss.
0
ye gods who are in the service of the Deep.viii
We
follow the Lord, the Lord of Love!"
The Sisters.
"Isis and Nepthys clearly represent the great duality,
positive and negative, male and female, life and death, who are
made one by the sovereign force of love"
THE TRUE AND INVISIBLE ROSICRUCIAN
ORDER
Paul Foster Case 1981
Page 108
"The Zohar says that all is
contained in the mystery of Vav, and thereby all is revealed.
The same Qabalistic authority connects Vav with the Son of David,
and this was interpreted by erudite Europe in the seventeenth
century, as a reference to the Christos.
Attached to the nail was a stone. This is the same stone we
have mentioned before. It is the Stone rejected by the builders.
It is the Stone of the Philosophers. It is ABN, Ehben,
signifying the union of the Son with the Father.
We have already said that Henry Khunrath published in 1609 a
book called Amphitheatrum Chemicum, in which appears an illustration
showing the word ABN, Ehben, enclosed in a triangle. This radiant
triangle, with the letters ABN at its corners, is borne by a
dragon, and the dragon is on top of a mountain. The mountain
is in the middle or center of an enclosure, surrounded by a
wall having seven sides, whose corners bear the words, reading
from left to right or clockwise around the wall: Dissolution,
Purification, Azoth Pondus, Solution, Multiplication, Fermentation,
Projec- tion. Thus, the inner wall summarizes the alchemical
operations. Its gate has the motto Non omnibus, meaning "Not
for all," as if to intimate that entrance into the central
mystery is not for everyone.
Surrounding this inner wall is another in the form of a seven-
pointed star, composed of fourteen equal lines. The gate to
this outer wall is flanked by two triangular pyramids, or obelisks.
Over one is the sun, and this obelisk is named Faith. Over the
other is the moon, and this pillar is named Taciturnity, or
Silence. Between the pillars, in the gate, is a figure bearing
the caduceus of Hermes or Mercury, standing behind a table on
.- which is written "Good Works." Below is the motto:
"The ignorant deride. what the wise extol and admire."
Thus, in Khunrath's diagram we have the same association be-
tween a seven-sided figure and a stone that occurs in the Fama.
The mystic mountain, with the dragon at its summit, is also
a Rosicrucian symbol, as one may see in Thomas Vaughan's Lumen
de Lumine, where Section 2 is entitled "A Letter from
the Brothers of R.C.,
"Concerning the Invisible,
Magical Mountain and the Treasure therein Contained."
THE JOURNAL OF PSYCHICAL RESEARCH
"5 The
author of Magic Mountains (McOwen, 1996) refers to times
when the hill .and glens were quiet and peaceful and the hill
person could find solitude. Then, senses were heightened and
psychic phenomena and "mind-links with the past could be
more easily absorbed if the person were reasonably receptive".
2061 ODYSSEY THREE
Arthur C. Clarke 1987
"THE MAGIC MOUNTAIN"
WHY SMASH ATOMS ?
A. K. Solomon 1940
Page 77
"ONCE THE FAIRY TALE
HERO HAS PENETRATED THE RING OF FIRE ROUND THE MAGIC MOUNTAIN
HE IS FREE TO WOO THE HEROINE IN HER CASTLE ON THE MOUNTAIN
TOP."
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 708
"It was an especially well
cured brand, with the best leaf wrapper, named"
"Light of Asia"
LIGHT OF ASIA
Sir Edwin Arnold
1909
"THE LIGHT OF ASIA
OR
THE GREAT RENUNCIATION
(MAHABHINISHKRAMANA)
BEING
THE LIFE AND TEACHING OF GAUTAMA
PRINCE OF INDIA AND FOUNDER
OF BUDDHISM"
Page 99 page numbers 99/100
omitted
"Book the Fourth"
THE TIBETAN BOOK OF THE DEAD
OR
The After-Death Experiences on the Bardo Plane,
according to Lama Kazi Dawa-Samdup.s English Rendering
Compiled and edited by
W.Y Evans-Wentz 1960
SRI KRISHNA'S REMEMBERING
"MANY LIVES, ARJUNA, YOU AND I HAVE LIVED,
I REMEMBER THEM ALL, BUT THOU DOST NOT"
Bhagavad-Gita, iv, 5.
Page 222 (Addenda)
IV. THE GURU AND SHISHYA (OR CHELA) AND INITIATIONS
"Very frequently the Bardo Thodol directs the dying
or the deceased to concentrate mentally upon, or to visualize,
his tutelary deity or else his spiritual guru, and, at
other times, to recollect the teachings conveyed to him by his
human guru, more especially at the time of the mystic initiation. Yogis and Tantrics ordinarily comment upon such ritualistic
directions by saying that there exist three lines of gurus to whom reverence and worship are to be paid. The first and highest
is purely superhuman, called in Sanskrit divyaugha, meaning
. heavenly (or "divine ") line'; the second is of the
most highly developed human beings, possessed of supernormal /
Page 223 / or siddhic powers, and hence called siddhaugha;
the third is of ordinary religious teachers and hence called manavaugha,
'human line'.1
Women as well as men, if qualified, may be gurus. The shihsya is, as a rule, put on probation for one year before receiving
the first initiation. If at the end of that time he proves to
be an unworthy receptacle for the higher teachings, he is rejected.
Otherwise, he is taken in hand by the guru and carefully
prepared for psychical development. A shishya when on probation
is merely commanded to perform such and such exercises as are
deemed suitable to his or her particular needs. Then, when the
probation ends, the shishya is told by the guru the why of the exercises, and the final results which are certain
to come from the exercises when successfully carried out. Ordinarily,
once a guru is chosen, the shishya has no right
to disobey the guru, or to take another guru until
it is proven that the first guru can guide the shisya no
further. If the shishya develops rapidly, be-cause of good
karma, and arrives at a stage of development equal to that of
the guru, the guru, if unable to guide the shishya
further, will probably himself direct the shishya to a
more advanced guru.
For initiating a shishya, the guru must first prepare
himself, usually during a course of special ritual exercises occupying
several days, whereby the guru, by 'invoking the gift-waves
of the divine line of gurus, sets up direct communication
with the spiritual plane on which the divine gurus exist. If the
human guru be possessed of siddhic powers, this communion
is believed to be as real as wireless or telepathic communica-tion
between two human beings on the earth-plane.
The actual initiation, which follows, consists of giving to the shishya the secret mantra, or Word of Power, whereby at-one-ment
is brought about between the shishya, as the new member
of the secret brotherhood, and the Supreme Guru / Page
224 /
who stands to all gurus and shishyas under him as
the Divine Father. The vital-force, or vital-airs (prana-vayu),
serve as a psycho-physical link uniting the human with the divine;
and the vital-force, having been centred in the Seventh Psychic-Centre,
or Thousand-petalled Lotus, by exercise of the awakened Serpent-Power,
through that Centre, as through a wireless receiving station,
are received the spiritual gift-waves of the Supreme Guru.
Thus is the divine grace received into the human organism and
made to glow, as electricity is made to glow when conducted to
the vacuum of an electric bulb; and the true initiation is thereby
conferred and the shishya Illuminated.
In the occult language of the Indian and Tibetan Mysteries, the
Supreme Guru sits enthroned in the peri carp of the Thousand-petalled
Lotus. Thither, by the power of the Serpent Power of the awakened
Goddess Kundalini, the shishya, guided by the human guru,
is led, and bows down at the feet of the Divine Father, and receives
the blessing and the bene-diction. The Veil of Maya has
been lifted, and the Clear Light shines into the heart of the shishya unobstructedly. As one Lamp is lit by the Flame
of another Lamp, so the Divine Power is communicated from the
Divine Father, the Supreme Guru, to the newly-born one,
the human shishya.
The secret mantra conferred at the initiation, like the
Egyptian Word of Power, is the Password necessary for a conscious
passing from the embodied state into the disem-bodied state. If
the initiate is sufficiently developed spiritually before the
time comes for the giving up of the gross physical body at death,
and can at the moment of quitting the earth-plane remember the
mystic mantra, or Word of Power, the change will take place
without loss of consciousness; nor will the shishya of
full development suffer any break in the con-tinuity of consciousness
from incarnation to incarnation."
MAGIC AND MYSTERY IN TIBET
Alexandra David - Neel 1965
Page197
Mystic Theories and Spiritual
Training
"As for the method which mystics
call the 'Short Path', the 'Direct Path,'2 it is considered as most hazardous. It is - according to the masters
who teach it - as if instead of following the road which goes
round a mountain ascending gradually towards its summit, one attempted
to reach it in straight line, climbing perpendicular rocks and
crossing chasms on a rope. Only first-rate equilibrists, exceptional
athletes, completely free from giddiness, can hope to succeed
in such a task. Even the fittest may fear sudden exhaustion or
dizziness. And there inevitably follows a dread-ful fall in which
the too presumptuous alpinist breaks his bones.
By this illustration Tibetan mystics mean a spiritual fall leading
to the lowest and worst degree of aberration and perversity to
the condition of a demon.
I have heard a learned lama maintain that the bold theories regarding
complete intellectual freedom and the enfranchisement from all
rules whatever, which are expounded by the most advanced adepts
of the 'Short Path', are the faint echo of teachings that existed
from time immemorial in Central and nonhern Asia.
The lama was convinced that these doctrines agree completely with
the Buddhas highest teaching as it was made evident in various
passages of his discourses. However, said the lama, the Buddha
was well aware that the majority do better to abide by rules devised
to avert the baleful effects of their ignorance and guide them
along paths where no disasters are to be feared. For that very
reason, the all-Wise Master has established rules for the laity
and monks of average intelligence.
The same lama entertained serious doubts as to the Aryan origin
of the Buddha. He rather believed that his ancestors belonged
to the yellow race and was convinced that his expected successor,
the future Buddha Maitreya, would appear in northern Asia.
Where did he get these ideas? 1 have not been able to find out.
Dis-cussion is hardly possible with Oriental mystics. When once
they have answered: 'I have seen this in my meditations,' little
hope is left to the inquirer of obtaining further explanations."
2. "Technically, in mystic parlance, tsi gchig, lus gchig
sang rgyais, 'to attain buddha-hood in one life, one body'.
That is to say, in the very life in which one has begun ones spiritual
training. Tibetans say also lam chung ('the short road')."
Page 210
There exists an immense literature
in India devoted to the explana-tion of the mystic word aum.
The latter has exoteric, esoteric and mystic meanings. It may
signify the three persons of the Hindu Trinity: Brah-ma, Vishnou,
Shiva. It may signify the Brahman, the 'One without a second'
of the adwaita philosophy. It stands as a symbol of the Inex-pressible
Absolute, the last word to be uttered in mysticism, after which
there follows only silence. It is, according to Shri SankarAcharya,9 'the support of the meditation', or, as declared in the Mundakopanishad's text itself, 'It is the bow by the means of which the individual
self attains the universal self.'10
Again, aum is the creative sound whose vibrations build the worlds.
When the mystic is capable of hearing all in one the countless
voices, cries, songs, and noises of all beings and things that
exist and move, it is the unique sound aum which reaches him.
That same aum vibrates also in the utmost depth of his inner self.
He who can pronounce it with the right tone is able to work wonders
and he who knows how to utter it silently attains supreme emancipation.
Tibetans who have received the word Aum from India, together with
the mantras with which it is associated, do not appear to have
been acquainted with its many meanings among their southern neighbours,
nor do they know the very prominent place it occupies in their
religions and philosophies.
Aum is repeated by Lamaists along with other Sanskrit formulas,
without having a special imponance by itself, while other mystic
sylla-bles, such as hum! and especially phat!, are supposed to
possess great power and are much used in magic and mystic rites.
So much for the first word of the formula.
Mani padme are Sanskrit terms that mean jewel in the lotus'. Here
we come, it seems, to an immediately intelligible meaning, yet
the current interpretation does not take any account of that plain
meaning.
9 In his commentary on
Mundakopanishad.
10. 'The pranava (that is the
name of the sacred syllable aum) is the bow, the atman (the individual
self) is the arrow and the Brahman (universal self: the Absolute)
is said to be the mark,'
Page 211
Common folk believe that the recitations
of Aum mani padme hum! will assure them a happy
rebirth in Nub Dewa chen, the Western Paradise of the Great
Bliss.
The more 'learned' have been told that the six syllables of the
formula are connected with the six classes of sentient beings
and are related to one of the mystic colours as follows:
Aum is white and connected with gods (lha).
Ma is blue and connected with non-gods (lhamayin).11
Ni is yellow and connected with men (mi).
Pad is green and connected with animals (tudo).
Me is red and connected with non-men (Yidagl2 or other mi-ma- yin13).
Hum is black and connected with dwellers in purgatories.
There are several opinions regarding the effect of the recitation
of these six syllables. Popular tradition declares that those
who frequently repeat the formula will be reborn in the Western
Paradise of the Great Bliss. Others who deem themselves more enlightened
declare that the recita-tion of Aum mani padme hum! may
liberate one from a rebirth in any of the six realms.
Aum mani padme hum! is used as a support for a special
meditation which may, approximately, be described as follows:
One identifies the six kinds of beings with the six syllables which are pictures in their respective colours, as mentioned
above. They form a kind of chain without end that circulates through
the body, carried on by the breath entering through one nostril
and going out through the other.
Page 212
As the concentration of mind becomes
more perfect, one sees men-tally the length of the chain increasing.
Now when they go out with the expiration, the mystic syllables
are carried far away, before being absorbed again with the next
inspiration. Yet, the chain is not broken, it rather elongates
like a rubber strap and always remains in touch with the man who
meditates.
Gradually, also, the shape of the Tibetan letters vanishes and
those who 'obtain the fruit' of the practice perceive the six syllables as six realms in which arise, move,
enjoy, suffer, and pass away the innumer-able beings, belonging
to the six species.
And now it remains for the meditator to realize that the six realms (the whole phenomenal world) are subjective: a mere
creation of the mind which images them and into which they sink.
Advanced mystics reach, by the way of this practice, a trance
in which the latters of the formula, as well as the beings and
their activity, all merge into That which for lack of
a better term, Mahayanist Buddhists have called 'Emptiness.'
Then, having realized the 'Void,' they become emancipated from
the illusion of the world and, as a consequence, liberated from
rebirths which are but the fruit of that creative delusion.
Another of the many interpretations of Aum mani padme hum!
ignores the division in six syllables and takes the formula
according to its mean- ing: 'a jewel in the lotus.' These words
are considered as symbolic.
The simplest interpretation is: In the lotus (which is the world)
exists the precious jewel of Buddha's teaching.
Another explanation takes the lotus as the mind. In the depth
of it, by introspective meditation, one is able to find the jewel
of knowledge. truth, reality, liberation, nirvana, these various
terms being different denominations of one same thing.
Now we come to a meaning related to cenain doctrines of the Mahayanist
Buddhists.
According to them nirvana, the supreme salvation, is not separated
from samsara, the phenomenal world, but the mystic finds the first
in the heart of the second, just as the 'jewel' may be found in
the 'lotus.' Nirvana, the 'jewel' exists when enlightenment exists. Samsara, the 'lotus,' exists when delusion exists, which
veils nirvana, just as the many petals of the 'lotus' conceal
the 1ewel' nestling among them.
Page 213
Hum! at the end of the formula,
is a mystic expression of wrath used in coercing fierce deities
and subduing demons. How has it become affixed to the 'jewel in
the lotus' and the Indian Aum? - This again is explained
in various ways.
Hum! is a kind of mystic war cry; uttering it, is challenging
an enemy. Who is the enemy? Each one imagines him in his own way:
either as powerful fiends, or as the trinity of bad propensities
that bind us to the round of rebirth, namely lust, hatred and
stupidity. More subtle thinkers see him as the 'I.' Hum!
is also said to mean the mind devoid of objective content, etc.,
etc.
Another syllable is added to conclude the repetition of Aum
mani padme hum! one hundred and eight times on the
beads of a rosary. It is the syllable hri! Some understand it
as signifying an inner reality hidden under the appearances, the
basic essence of things.
Beside aum mani padme hum hri! other formulas are also repeated
as Aum vajra sattva! That is to say, 'Aum most excellent (diamond)
being.' It is understood that the excellent One meant is the Buddha.
The followers of the Red hat sects often repeat: Aum vajra guru
padma siddhi hum! as praise of their founder Padmasambhava. These
words mean 'Aum, most excellent powerful guru Padma, miracle worker,
hum!'
Amongst longer formulas one of the most popular is that
called kyabdo.14 It is Tibetan without admixture of Sanskrit and
its significance is plain, yet far from crude. The text runs as
follows:
'I take refuge in all holy refuges. Ye fathers
and mothers [ances-tors] who are wandering in the round of rebirths
under the shapes of the six kinds of sentient beings. In order
to attain Bud-dhahood, the state devoid of fear and sorrow, let
your thoughts be directed towards enlightenment.' "
AUM MANI PADME HUM
ONE HUNDRED AND EIGHT TIMES
153 x 12 ISISIS 1836
THE STARGATE CONSPIRACY
Lynn Picknett & Clive Prince
1
999
Page328
Apocalypse now
"The new belief system
wears a coat of many colours"
A COAT OF MANY COLOURS
Herbert Read 1945
Page 57
"The aim of the superrealists
as Max Ernst has recently declared, is not merely to gain access
to the unconscious and to paint its contents in a descriptive
or realistic way: nor is it even to take various elements from
the unconscious and with them construct a separate world of fancy;
it is then their aim to break down the barriers both physical
and psychical, between the conscious and the unconscious, between
the inner and the outer world, and to create a superreality in
which real and unreal, meditation and non, conscious and unconscious,
meet and mingle and dominate the whole of life. In Bosch's case,
a quite similar intention was inspired by medieval theology, and
a very literal belief in the reality of the Life Beyond. To a
man of his intense powers of visualization, the present life and
life to come, Paradise and Hell and the World, were equally real
and interpenetrating; they combined, that to say, to form a superreality
that was the only reality with which an artist could be concerned".
THE
99
NAMES OF GOD
"THEN SINGS MY SOUL MY SAVIOUR GOD TO
THEE HOW GREAT THOU ART HOW GREAT THOU ART"
JOSEPH AND HIS BROTHERS
Thomas Mann
1875 1955
Page 314
THE DREAMER
"THE COAT OF MANY COLOURS"
LIGHT AND LIFE
Lars Olof Bjorn 1976
Opposite Page 122
"PHARAOH AKHENATEN, SOVEREIGN OF EGYPT
1370-1352B.C, WITH QUEEN NEFERTITI
AND
CHILDREN BELOW THE BENEVOLENT SUN"
1370 MINOS 1352 = 18 1+ 8 = 9
THE MAIL ON SUNDAY
May 9th 2004
Page53
TELEVISION
Channel 5
MERCURY RISING
9-0pm
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 225
"WHIMS OF MERCURIUS"
THREE CALVARY CROSSES
+ + +
THREE CROSSES
X X X
6 + 6 + 6
18
1 + 8
9
JOURNAL OF THE SOCIETY FOR PSYCHICAL
RESEARCH
THE CONCEPT OF A PSYCHOSPHERE:
A HEURISTIC SUGGESTION
Ralph Noyes
Volume 62 Number 851 April
1998
Page 353
"In "Survival and the Idea
of 'Another World' " (Price, 1953) H. H. Price, sometime
professor of philosophy at Oxford and President of the SPR from
1939 to 1941, gave us a coherent and ingenious account of what
we would mean if we postulated 'another world' in which disembodied
humans might exist. His main concern was to assist the discussion
of the Survival Hypothesis. He went out of his way to stress that
his paper would not deal with the evidence and arguments pro and
contra Survival, on which he recognised that opinions were (as
they still are) deeply divided. His sole purpose was to consider
whether-contrary to some strongly opposing views-the idea of conscious
existence in some other sphere than our familiar three-dimensional
might make sense. As he put it (I paraphrase) there wouldn't be
much point in examining the supposed evidence for the continuation
of consciousness in some other sphere than the material one if
the very concept made logical nonsense.
For many of us Price succeeded brilliantly in his limited objective.
Acknow-ledging that he was drawing on the insights of earlier
work-for example, Whateley Carington's Telepathy (Carington,
1945), Ducasse's Nature, Mind and Death (Ducasse, 1951),
the metaphysics of Schopenhauer and the speculations of some Hindu
and Buddhist schools-Price devises a coherent and internally consistent
Other World in which human consciousness can be conceived as functioning,
even if disembodied. He is at pains to emphasise that there need
be nothing 'imaginary' or 'unreal' about his Other World: it would
differ from our familiar three-dimensional in several respects
(which he discusses), but it would be quite as real in the sense
of providing a substratum for ongoing and vivid human experience.
It would be, he said, "a world of mental images",
adding that "there is nothing imaginary about a mental
image. It is an actual entity, as real as anything can be."
And he engages in an entertaining discussion of the misuse which
is often made of the word "imaginary". His Other World
would be, he says, not an imaginary world, but an "imagy"
one.
Where on earth (or, rather, out of it) would Price's Other World
exist? He remarked that there didn't seem to be much room for
it now that astronomers and geologists had occupied the regions
formerly allocated to Heaven and Hell. Price's solution was remarkably
simple. "Mental images," he said, "are
in a space of their own. They... have spatial properties".
Taking visual images as a prime example, he noted that although
these images have no spatial relationship to objects in the physical
world, they do have "extension and shape, and they have spatial
relations to one another".
It is perhaps surprising that Price's Other World has not become
common coin in the discussion of psychical research. The concept
offers a coherently conceived 'realm', or at least a 'universe
of discourse', in which we could conveniently lodge our more counter-intuitive
phenomena, safe from - insulated against - the somewhat demoralising
activities of the neo- / Page 354 / Darwinists, the neuroscientists
and others whose increasingly brilliant under-standing of how
the physical world works offers material benefits to human- kind
but increasingly deprives us of room for the well-established
paranormal, let alone any foothold for 'values' and 'meaning'.
Price has certainly left his footprint, and he finds himself in
other good company. His ideas are cognate, for example, with those
set out in Professor John Poynton's "Making Sense of Psi:
Whiteman's Multilevel Ontology" (Poynton, 1994). Professor
John Smythies, also, acknowledged his indebtedness to Price a
while ago (Smythies, 1988) and has done so again more recently
in an extended discussion of the locus of human consciousness
(Smythies, 1994). Professor Ian Stevenson, too, in his latest
monumental volumes on cases suggestive of reincarnation (Stevenson,
1997), refers to Price's ideas (inter alia) as possibly
offering "a plausible realm where discarnate personalities
exist between terrestrial lives". But on the whole Price
has had less influence than he should. One objective of this Note
is to encourage researchers to go back to that illuminating Proceedings of 1953 and to consider what more might be quarried from it.
A primary difficulty in putting Price's ideas to work-empirically,
testably-lies in those nagging questions which he elegantly brushed
aside rather than answered: the where and the how of his Other World. It is all very well to provide a philosophically
coherent account of a 'space' of mental images and to demonstrate
with good-humoured irony that words like 'real' and 'unreal' lack
sensible meaning when applied to it. It is quite another matter
to argue convincingly that such a 'space' actually exists
('actually', with its empirical connotations, being perhaps a
more useful term than 'really', which has metaphysical overtones
and tends to lead us into a morass of logic-chopping and tediously
linguistic argumentation). Is Price's Other World actually there ('somewhere')? Is there anything 'in' it? Or is it merely
an ingenious verbal toy? Price would say (indeed, he did say)
that his sole concern was to make sense of a concept, not to demonstrate
that it had instances. But we might find it profitable to press
his ideas further, to put flesh and blood on them, so to say;
or if not flesh arid blood, at least a local habitation and a
name.
Price's Other World, though explicitly designed to see whether
sense could be made of the idea of human Survival, seems to me
to be also (if not indeed first and foremost) a potential repository
of much else which interests us in psychical research. Where better
to lodge such things as the sporadic non-conventional communications
between minds (telepathy), the experiences of those who have undergone
the NDE and the OBE, and the inexhaustibly rich realm of hypnagogic,
hypnopompic and deeper-sleep dreaming? All of these essentally
private phenomena-'private' in the sense that they occur in 'inner'
experience and only enter the public realm if those who have them
report them-might conveniently be lodged, if only for heuristic
purposes, in Price's 'mental' and 'imagy' Other World. This would
at least encourage us to look for similarities and relationships
among these 'inner' phenomena and to consider whether, regarding
them as a genus with several species, they indicate what Price
felt might be "the causal laws of an image world", differing
in crucial respects, as he says, "from the laws of physics".
There is, however, a whole range of other phenomena from psychical
research which might be called 'public'-'public' in the
sense that they impinge / Page 355 / on observers and are more
than merely 'inner'-which cannot be given a place in Price's Other
World as he defined it. Telepathy and dreams have a home there,
but PK, poltergeists and the physical phenomena of the seance
room (to mention only three species of this second genus) clearly
have not. While these phenomena obviously differ in their characteristics
from those to be expected "from the laws of physics",
we can hardly regard them, either, as obeying "the causal
laws of an image world", the laws of Price's Other World.
In all these public phenomena a crucial feature is that at least
some of the events are taking place in our familiar three-dimensional
space-hence their public nature, their availability to 'a public'
(or anyway to a public which is prepared to observe them).
These things may often resemble dreams and other 'inner'
events, for example in the absurdity and caprice (frequently amounting
to the grotesque) of which they are capable; but dreams they certainly
are not.
What account should we attempt to give of these 'public'
events? Are they to be regarded as entirely distinct from the
'private' events for which Price seems to be offering a home?
Are we to strike a dividing line across the field of the paranormal,
leaving (for example) precognitive dreams and ostensible communication
between minds to be lodged in Price's Other World while seeking
an entirely different locus and explanation for (for example)
the all- too-physical depredations of a poltergeist and the transient
but all-too-material materializations of human figures at a physical
seance? It would be extravagant of us ('unparsimonious' is the
term used in more orthodox enquiries) to make any such radical
division at the outset. Research may eventually force us to do
so on good empirical grounds. But we owe it to intellectual rigour,
or anyway to aesthetic tidiness, to have at least a preliminary
go at seeking a unified approach. Brute facts will tell us soon
enough if we're wrong.
Although Price did not postulate any interaction between his 'imagy'
world and the world of physical events (he didn't have to, given
his limited objectives) we must attempt to do this if we're to
bring the full range of paranormal events, including physical
occurrences in the public world, within Price's schema.
We have to assume that whatever goes on in Price's Other World
in the way of images which relate to each other in obedience to
"the causal laws of an image world", something or other
(closely related, it seems, to these same images) can sometimes
determine, or at least substantially influence, the course of
events in our daily three-dimensional in occasional supravention
of our increasingly well-understood 'normal' laws of physical
causation. We would have to ascribe to 'mere' images a kind of
causative power which sometimes goes beyond their power to affect
merely other images in Price's 'imagy world'.
This is a radical suggestion, but it is by no means a novel one. It has perennially haunted the human imagination in two principal
forms: first of all, in every system of magic; secondly, in philosophical
Idealism. Magic makes the crudely literal assumption that thought
(mental images), reinforced or focused by ritual procedures, is
capable of acting directly on the material world in a non-conventional
manner. (But magic is notoriously unreliable, the usual let-out
being that some other magician has been casting counter-spells,
or that the moon was in the wrong quarter, or that the sacrificed
black cockerel was not wholly black. . . ) Idealism in its several
forms makes virtually the opposite Page 356 / assumption to the
magician's, namely that everything, including the material
world, consists of nothing but mental images, with the
corollary that we ought, in principle, to be able to alter 'reality'
merely by taking thought. Idealist philosophers have usually side-stepped
the embarrassing lurch into magic which 'taking thought' might
imply by the device of making ad hoc additions to their metaphysical
systems, e.g. that the world, though entirely a world of thought,
is a thought in the mind of God, or that its obstinate stability,
its brute persistence in observing the regularities of scientific
'laws' (and barking our shins if we get in the way), is due to
a consensus of expectations (a consensus of mental images) on
the part of human observers. Why there should be such a consensus
and why it should take the particular form it does is never explained
(and God, of course, need not be given an explanation).
Among Price's invaluable merits is that he avoids both magic and
Idealism. If we are to toy, with some enlargement of his hypothetical
'imagy world' in a manner which would allow it, at least in principle,
to impinge occasionally on the public world of objects, we owe
it to him to be equally abstemious from the magical and the Idealist.
The only way in which we can achieve this balancing act is by reifying Price's 'Other World'. We must imagine it as being
entirely real (as real as the world of everyday experience); and
we must give it a precise location and distinct properties. We
must-quoting a useful line from Act 5, Scene 1 of A Midsummer
Night's Dream-give "to airy nothing a local habitation
and a name".
As for the habitation, I think we need not blush to postulate
a space or sphere or realm which adjoins our familiar three-dimensional
but lies at such an angle to it that our physical organs of perception
(evolved wholly to assist survival in the three-dimensional) cannot
perceive it. Many competent physicists now permit themselves as
many as 7 or 8 dimensions (additional to the familiar three) simply
to accommodate the weird behaviour of mere matter (e.g. Kaku,
1994); and good cosmologists are now telling us that nine-tenths
of the mass of the universe cannot be perceived (can only be inferred)
and is best called, provisionally, 'Dark Matter'. In this new
Wonderland of orthodox scientific speculation there must surely
be room for the very modest 'other space' which our own field
of enquiry seems to require. As for a name, I diffidently suggest
'Psychosphere', a neologism formed by analogy with that currently
fruitful term 'biosphere', though without any implication that
there is more than a linguistic resemblance. I employed this term
as a purely fictional device in a short novel published in 1985
about the perennial puzzle of the UFO phenomenon (Noyes, 1985);
but it may be worth considering whether the concept can be put
to coherent use outside a fictional context.
To serve the purposes for which I suggest we should invent it
(purposes of a heuristic or 'thought-experiment' nature) the Psychosphere
must have some minimum properties. It must be a space in which
Price's mental images have real existence. Since mental images
are, by definition, objects of minds, the Psychosphere must also
have all the properties of minds as determined by orthodox psychology
and by systematic introspection. As we wish the Psycho-sphere
to have causative action in three-dimensional space, there must
be a linkage between the two. These are, I suggest, the three
essential properties of the Psychosphere, and they follow, merely
by logic, from the thought-experiment / Page 357 / which the concept
is designed to assist. Once we have invented the Psycho- sphere,
however, vistas of speculation become apparent and possibilities
of experimentation may suggest themselves.
To speculate. . . A Psychosphere of the kind proposed will have
to be the repository of all mental objects emanating from
all minds, including animal as well as human minds, including
also (if they exist) the minds of creatures which have evolved
elsewhere in the universe. Different levels of mind will doubtless
make different quantities and qualities of input to the Psychosphere:
the contribution made by the dim awarenesses of low-level invertebrates
will certainly be less than the contribution made by any member
of Homo sapiens, but there will be no good reason for excluding
them. The Psychosphere must therefore be an inconceivably
vast and complex cauldron of ideas, memories, volitions, desires
and all the other furniture of conscious experience and unconscious
mental functioning. To be anything other than a chaos it must
therefore have properties of internal organization, for example
a tendency for mental images to form clusters on some such principle
as the Association of Ideas. We can imagine that all minds, in
addition to making their inputs, also have a limited degree
of access to the Psychosphere, the extent of this access
depending on the complexity, sophistication and existing contents
of each mind, and depending perhaps also on the possession of
particular gifts (e.g. those of mediumship) and / or altered states,
e.g. trance and dream. (F. W. H. Myers will have made a very
large input; Mrs Piper clearly possessed a very large access.)
To allow for interaction with the physical world we must assume
that the Psychosphere has some of the properties of a field of
force, analagous with the gravitational and electromagnetic
fields of classical physics but possessing perhaps, in addition, morphogenetic capacities resembling those envisaged by
Rupert Sheldrake in his theory of morphic resonance. We might regard it as a source of forms (in something like
Plato's sense), as a repository of archetypes ( a la Jung), and as an originator of novelties as well as a replicator
of existing ideas. To quote again from A Midsummer Night's
Dream, we might think of the Psychosphere as the location of that
"imagination" which "bodies forth / The
shape of things unknown. . ." From the swirling though
semi-structured cauldron of the Psychosphere, receiving its
inputs from a myriad of minds but possessing causative properties
of its own, might there not well emerge into the physical sphere,
even if only transiently, many other non-conventional phenomena
than those which preoccupy psychical research? Might not the
Psychosphere be considered, not only as the mediator of such things
as telepathy, distant viewing, laboratory PK and the poltergeist,
but also as the puppet-master of the Great Legion of Fortean peculiarities-lake
monsters, the multitudinous creatures of folklore, some crop circles
(if any are other than man-made), Flying Saucers, the entities
which briefly emerge from the latter, the fleetingly observed
anthropomorphic 'manimals' of the kind represented by Big Foot
and the yeti, and many such other denizens of recorded
human experience?
In ascribing capacities of this kind to the Psychosphere, we would
be avoiding the absurdities of magic: it would not be the volition
of individuals which operated (magically) on the physical world-to
heal a friend, to kill an enemy, to englamour a desired sexual
object-it would be the Psychosphere / Page 358 / which lent itself
to these objectives, operating by means of its capacity to influence
the physical sphere and acting along the lines of the volitions
of the more psychically talented minds which form part of its
contents. We would also be avoiding the peculiarities of Idealist
metaphysics: there would be nothing 'unreal' or 'imaginary' about
either the Psychosphere or the world of everyday experience; both
would have unimpaired ontological status, albeit differing in
their respective properties and 'habitations'.
All this may be thought fanciful: the Psychosphere is perhaps
merely an idea with which to play. But I believe something of
the sort, even if we abandoned it after further study, would help
to focus our thinking when we consider the phenomena of psychical
research, not to mention the many puzzles about morphogensis in
the physical sphere, which (pace the Neo-Darwinists) have not
been satistactorily resolved by conventional means. And the idea
already has a modicum of theoretical support and perhaps some
predictive value.
As for theory, the papers by John Poynton and John Smythies mentioned
above offer some ingenious models for an 'adjoining realm' which
interacts with our familiar physical world. I hope they would
not think it inconsistent with their views to envisage the Psychosphere
as sometimes acting, not only via the many points of intersection
with the physical represented by conscious minds, but occasionally
(spontaneously) 'in its own right'. More recently, Professor Archie
E. Roy, in his The Archives of the Mind (Roy, 1996), has tackled
the question whether human thoughts and intentions may possibly
persist (perhaps pre-exist, perhaps post-exist) as a kind of 'software'
or 'program' when not directly manifesting in the 'hardware' of
the body, the analogies of 'software', 'program' and 'hardware'
being drawn, of course, from our current understanding of the
operation of computers. Any such 'software' or 'program' needs
to have its being in some substratum. The Psychosphere might serve.
All these conjectures need further refinement and clarification,
but none of them seems inconsistent with, or more extravagant
than, the speculations now current among mainstream physicists
and cosmologists.
As for predictive value, if we give the Psychosphere properties
of the kind suggested, we might predict the following, all of
which bear some resemblance to familiar aspects of our field.
A. If a sufficient number of people strongly believe in, or hope
for, a pheno-menon, viz. make an emotionally vigorous input to
the Psychosphere, the Psychosphere will oblige by producing it.
For a while, table-turning, ectoplasm and Flying Saucers will
be frequently, if only transiently, encountered.
B. When a sufficient number of people come to oppose these outrages
to common sense, especially if (like CSICOP) they exhibit strong
emotion in doing so, the Psychosphere may be tipped into withdrawing
them. Table- turning and ectoplasm seem to have suffered this
fate; Flying Saucers (or rather the populations pro and contra
these engaging objects) are still fighting it out.
C. Accordingly, there will be fashions-almost artistic movements-in
the ebb and flow of paranormal occurrences, as Dr John Beloff
has often noted (e.g. Beloff, 1993, pp. 233-234) / Page 359 /
April 1998] The Concept of a Psychosphere
D. The Psychosphere will itself-without prompting and sheerly
from its own internal dynamics-produce new phenomena from time
to time: thought- ography, metal;.bending, EVP. .. If these capture
the public imagination, i.e. if sufficient people make an emotionally
vigorous input to the Psycho-sphere, the phenomena will persist
for a while (anyway until CSICOP gets there and/or the public
becomes bored and therefore ceases to 'fuel' the Psychosphere
in support of these new toys).
E. Some of the spontaneous activities of the Psychosphere
will take the more durable form of new species of plants and animals
in the Biosphere-but only if the brute circumstances of the available
DNA and the state of the Darwinian selective pressures permit
it. Otherwise, the novel ideas will have no more than transient
or ambiguous existence. (Circumstances have clearly not yet been
propitious for the durable coming-to-be of the Yeti, the Big Foot,
other 'manimals', the Loch Ness Monster or the Surrey Puma. The
Unicorn has failed altogether.)
A lengthier text would be needed to explore these fragmentary
suggestions further. They are offered in their present form merely
in the hope that they may prompt discussion.
2 Bramerton Street Chelsea
London SW35JX
REFERENCES
Beloff, J. (1993) Parapsychology: A Concise History. London: Athlone Press.
Carington, W. W. (1945) Telepathy. London: Methuen.
Ducasse, C. J. (1951) Nature, Mind and Death. Illinois:
Open Court Publishing
Kaku, M. (1994) Hyperspace: A Scientific Odyssey through
the 10th Dimension. Oxford: OUP.
Noyes, R. (1985) A Secret Property. London: Quartet
Books.
. Poynton, J. C. (1994) JSPR 59, 401-412
Price, H. H. (1953) ProcSPR 50 (182), 1-25
Roy,A. E. (1996) The Archives of the Mind (esp. pp
330-364). Essex: SNU Publications. Smythies, J. R. (1988) JSPR 55, 150-156
Smythies, J. R. (1994) The Walls of Plato's Cave. Aldershot:
Avebury.
Stevenson, I. (1997) Reincarnation and Biology (esp.
pp.2083-2088) Connecticut: Praeger Publishers.
MIN DOTH DREAM WHAT DOTH MIN
MEAN
JOURNAL OF THE SOCIETY FOR PSYCHICAL
RESEARCH
UNSNARLING THE WORLD-KNOT: CONSCIOUSNESS,
FREEDOM, AND THE MIND- BODY PROBLEM
David Ray Griffin. University of
California Press, Berkeley, 1997. xv + 266 pp.
Volume 62 Number 851 April 1998
Page 368
"The mind-body problem, which Schopenhauer called the 'world-knot',
has overshadowed Western philosophy since Descartes and has continued
to vex and engross both philosophers and scientists, perhaps particularly
in the present time, when we have witnessed spectacular developments
in genetics and neuroscience. The hope of many thinkers, including
Professor Griffin, is that by unravelling the connection between mind and matter at this nodal point, we might
be able to gain an unprecedented and decisive understanding of
what is arguably the central mystery of the universe.
Dualist and materialist theories have ended in dismal failure,
according to Griffin. For materialists, the insuperable difficulty
has been to suggest any coherent way in which consciousness can
possibly be derived from the insentient neurones of the brain.
On top of the many other absurdities which it engenders, epiphenomenalism
has no hope of evading this manifest contradiction at its very
heart. Eliminativists like the Churchlands can only rest in their
wish or faith that belief in the actual existence of consciousness
will some day just evaporate, with all the remaining superstitions
of 'folk psychology'. However, more patient and sensitive physicalists
reluctantly concede that this massive stumbling-block will not
simply go away, and Griffin painstakingly reviews the attempts
of philosophers like Nagel, Searle, McGinn, Galen Strawson, and
Jaegwon Kim to come to terms with it. Their inevitable failure,
he concludes, follows from their ultimate inability to explain,
not only / Page 369 / how consciousness could emerge from the
brain, how subjectivity could arise from something blankly objective,
but also what can be meant by the relation-ship between consciousness
and brain activity, how our experience and behaviour can result
as an obvious (if partial) unity from the activities of the thousands
of millions of neurones constituting the brain, and how materialism
can be reconciled with our hard-core commonsense beliefs about
our ability to acquire knowledge of abstractions and norms, and
indeed of the external physical world itself given the view that all knowledge must come to us mediated by our sense-organs
feeding our brains.
Dualist theories are apparently in no better case. Dualism seems
to violate the principle of the conservation of energy, and undoubtedly
violates the principle of continuity, since it would require us
to postulate some kind of 'leap' to account for the evolution
of sentient beings from insensate matter.
Where are we supposed to draw the line between experiencing and
non-experiencing things? And if there are two ontologically disparate
components in every living animal-one immaterial, nonspatial,
and devoid of physical energy, and the other blindly material,
mute, unintelligent, and without desires, thoughts, or purposes-how
can our minds exert causal influence over our bodies or vice versa,
as interactionist dualists are bound to maintain?
By far the greater part of Griffin's book is an attempt to resolve
all of these issues by expounding and defending a third option
which combines the intellectual strengths of both dualism and
materialism while avoiding what he considers their fatal flaws.
This he does by adopting the metaphysical standpoint of panexperientialism,
drawing heavily on the analyses and
insights of Alfred North Whitehead and Charles Hartshorne. Every truly - individual thing which exists, from molecules and
cells up to elephants and human beings, is both a material object
and a mental subject, with both a 'material pole' and a 'mental
pole'. Thus there is no need to postulate a magical leap or supernatural
intervention to bridge a gap between sentient beings and insentient
matter, because matter is not wholly insentient. (This refutes
the influential fallacy of Descartes, whose notion of a brute
insentient matter has been uncritically accepted by his materialist
opponents.) For the panexperientialist, human and other animal
minds have an ontological homogeneity with the cells which compose
their bodies, nervous systems, and brains, for in both cases there
is a mental dimension and a physical dimension.
Panexperientialism (or panpsychism) has often been dismissed
with derisive incredulity. Do rocks have feelings, can lakes form
intentions? Professor Griffin sets out to dispel the kinds of
incomprehension by which this meta- physical theory has been typically
beset. He draws a distinction. between true or compound individuals
like cells, plants, and animals, all of which have the rudiments
of mentality, and mere aggregations like rocks or bodies of water,
which have no individual mentality whatsoever, beyond such primordial
mentality as resides in their component particles. But can we
really attribute even a grain of incipient, embryonic, primordial
mentality to, say, bacteria or viruses? Griffin will argue that
the random behaviour of the subatomic particles, or rather streams
of energy, of which such minute things are composed, gives us
grounds for ascribing a form of spontaneity to them; that this
is a primitive kind of self-determining choice; and that this
is the origin / Page 370 / and nucleus of the quality of freedom,
inseparable from mentality, with which all higher organisms, ascending
to man, are to some extent endowed, however slight in particular
instances.
In the October 1997 issue of this Journal Professor J.
C. Poynton reviewed a recent book by Griffin (1997) in which the
author gives special attention to the data of psychical research.
However, in the present work the notions of ESP and PK play a
very much smaller part. Griffin readily accepts that telepathy,
clairvoyance, and psychokinesis have gained enough empirical confirmation
over the last hundred years to warrant their inclusion in the
world-outlook of every reasonable person, and he condemns the
closed and defensive attitudes still shown by the scientific community
in general towards such phenomena essentially because they conflict
with the physicalist paradigm of reality to which so many scientists
have declared a priori allegiance. But his comments on ESP and
PK are chiefly of interest because of his attempts to relate them
to his own panaexperientialist paradigm.
According to this, it is fallacious to ground our concepts
of perception primarily on our faculties of vision and touch.
There are rudimentary individuals, such as unicellular organisms,
which have experiences although totally lacking in organs of sense.
And, Griffin claims, much of the knowledge acquired by man and
the higher animals comes via forms of perception which are equally
nonsensory. However, he is able to make this claim only because
he extends the term 'perception' to cover kinds of cognition which
are seldom thought of as perceptual in character: for example
memory, which he describes as the present perception by a mind
of its own past experiences; our knowledge of mathematical and
logical relations, which he oddly classifies as 'experiences'
of abstract entities; moral and aesthetic experience; and religious
experience. He attributes our awareness of bodily pain and pleasure
to the 'experiences' of the cells situated where we find these
sensations occurring, and to the capacity of these cells to communicate
their experiences to our minds. He is even willing to speak of
the mind as 'perceiving' (albeit unconsciously) the processes
going on in our brain cells when these are eventually activated
by the relay of external stimuli impinging on our peripheral sense-organs.
Because of the epistemological difficulties involved in standard
theories of perception, according to most of which we only gain
knowledge of the physical world indirectly, by means of the sense-data
which it produces for our immediate apprehension, Griffin seems
to favour a kind of direct realism; this cannot be just apprehension
of images or of our own brain cells but must be awareness of events
which typically occur outside our bodies, and therefore is intrinsically
perception at a distance, and hence nonsensory. There are echoes
here of Moncrieff's neglected masterpiece, The Clairvoyant Theory
of Perception (1951). Equally, to understand how we are able
to move our own bodies we have to conceive of a nonmotor action
by the mind which originates the motions of those body cells which
terminate in overt bodily movements. This is the basis for that
special kind of nonmotor action on other bodies, at a distance
from our own, which we call psychokinesis.
There is much else of interest and worthy of debate in this book,
for instance Griffin's replacement of the idea of a substantive
mind or self by his version of a successive pattern of 'occasions
of experience' which have a unity formed by / Page371/ their inherent
recollection of past occasions of experience in the life-history
of the individual. But the book is densely written, much of it
in the somewhat irksome terminology of process philosophy, it
is, I think, too long, for the reader will find the same themes
tending to recur several times; and there is a needless abundance
of references to the work of other contemporary philosophers,
which may soon strike us as inevitably rather dated. Its special
interest for students of psychical research is strictly limited,
although its comparatively few remarks on paranormal cognition
and agency are indeed highly suggestive. Philosophers will find
the overarching panexperientialist metaphysic idiosyncratic and
provocative, but at present that is surely a very good thing."
292 Cottingham Road R. W. K. PATERSON Hull HU6 8QA
REFERENCES
Griffm, D. R. 1997) Parapsychology, Philosophy, and Spirituality:
A Postmodern
Exploration. Albany: State University of New York Press.
Moncrief!, M. M. (1951) The Clairvoyant Theory of Perception. London: Faber & Faber.
THE STARGATE CONSPIRACY
Lynn Picknett & Clive Prince
Page206
"According to writers Peter
Tompkins and Christopher Bird, Daniels - who studied the effects
of electro- magnetic waves on human beings - became convinced,
in the 1970s, of the existence of some kind of intelligent force
in the universe that operated through electromagnetic frequencies
and that 'human beings can mentally interact with it,.47"
CLOSER TO THE LIGHT
Melvin L. Morse and Paul Perry
1990
Page 78
SPIRIT IN MEDICINE
CONJURED DEATHS AND ANCIENT
RULERS
"Deep in an underground chamber
a solemn group of men is seeking guidance from death. They are
dressed in white robes and chanting softly around a casket that
is sealed with wax. One of their members is steadfastly counting
to himself, carefully marking the time. After about eight minutes,
the casket is opened, and the man who nearly suffocated inside
is revived by the rush of fresh air. He tells the men around him
what he saw. As he passed out from lack of oxygen, he saw a light
that became brighter and larger as he sped toward it through a
tunnel. From that light came a radiant person in white who delivered
a message of eternal life.
The priest who is attending this ceremony is pleased with the
results. "No man escapes death," he says. "And
every living soul is destined to resurrection. You go into the
tomb alive that you will learn of the light."
The man who "died" but is now reborn is happy. He is
now a member of one of the strangest societies in history, a group
of civic leaders who induced nearly fatal suffocation to create
a near-death experience.
Sound like a cult from some place in northern California? ex-hippies
looking for a new high, perhaps? Not at all. This
was the cult of Osiris, a small society of men who were the priests
and pharaohs of ancient Egypt, one of the greatest civilizations
in human history. This account of how they / Page 79 / inspired near death is an actual description
of their rites from Egyptologists who have translated their hieroglyphics.
One of the most important Egyptian rituals involved the reenactment
by their god-king of the myth of Osiris, the god who brought agriculture
and civilization to the ancient Egyp-tians. He was the first king
of Egypt who civilized his subjects and then traveled abroad to
instruct others in the fine art of civilization. His enemies plotted
against him. Upon his re-turn to Egypt, he was captured and sealed
in a chest. His eventual resurrection was seen as proof of life
eternal.
Each new king was supposed to be a direct reincarnation of Osiris.
An important part of the ceremony was to reenact his entombment.
These rituals took place in the depths of the Great Pyramid and
were a prerequisite for becoming a god-king. It is my guess that
many slaves perished while the Egyptians experimented, to find
exactly how long a person could be sealed in an airtight container
and survive.
Nonetheless, these near-death experiences were more im-portant
to the Egyptians than the lives of a few slaves. After all, this
was the age of the bicameral mind, a period in which men believed
that their thoughts came to them from the gods and were not internally
generated. For the Egyptians, thoughts and dreams were gods speaking
to them.
Prior to the evolution of individual consciousness, people were
what Princeton psychiatrist Julian Jaynes calls "bi-cameral."
By this, he means that they did not understand that their own
thoughts and actions were generated from within themselves, but
rather that they thought external gods created these thoughts
and actions. For example, a fully conscious human thinks: I am
hungry and I will make myself a sandwich. The bicameral man thought:
The gods have created a pain in my belly and cause me to find
food to satisfy them. The Iliad is an excellent example of bicameral
thinking: It is one god who makes Achilles promise not to go into
/ Page 80 / battle, another who urges him to go, and another screams
through his throat (at his enemies). In fact, the gods take the
place of consciousness. The beginnings of action are not in conscious
plans, reasons, and motives; they are-to the bi-cameral man-the
actions and speeches of gods.
This bicameral thinking has long vanished from human beings, ever
since the evolution of language and writing. Once men could write
down their thoughts, and read what other people have written,
they came to understand that each human being has an individual
consciousness, and that gods do not direct our every action.
However; ancient Egypt was a prime example of a bi-cameral society.
Jaynes states that Egyptian civilization was controlled and directed
by the bicameral voice of their first god-king" Osiris. It
was essential to their civilization that each new king consider
himself to be the vehicle of the halluci-nated voice of the dead
king whose admonitions still con-trolled society. What better
way to generate this absolute continuity of the god-king than
to have each new king undergo a near-death experience. Just as
children that I in-terviewed often perceived the light that they
saw as the light of Jesus, these king-initiates would perceive
that same light - as the spirit of Osiris.
A near-death experience by a bicameral man would have extraordinary
significance, more so even than it has to mod-ern man. For one
thing, it would be absolute proof of eternal life. Since they
felt that the gods inspired their every thought, a near-death
experience would be like having a god open the doors of perception
to a mortal.
An NDE gave Egyptian rulers a sense of all-knowing. Before they
were sealed into the casket, they only acted like kings. Afterward,
they felt as if they had deeper knowledge of the world around
them.
I also believe that an NDE as part of a king's job description
/ Page 81 / may account for the unusual peace and prosperity that
Egypt enjoyed for the nearly two thousand years that the pharaohs
reigned. As happens with those who experience NDEs today, these
kings were transformed by the humbling and exalting experience
of near death. They developed a reverence for the love that people
share with one another. They became kind and caring and interested
in the universe and the world around them.
These were people who supported extensive research in astronomy.
With their "primitive" tools, they were able to obtain
a vast knowledge of the stars, even finding dark stars that we
have been able to confirm only with powerful telescopes.
The ancient Egyptians were advanced in medicine and the use of
foods and antibiotics to prevent epidemics among pyr-amid workers.
They knew of special diets of red onions, bread, and garlic that
stimulated the immune system, a diet that was only recently endorsed
by the National Science Foun-dation. They even had a fair amount
of knowledge about surgery.
Archaeologists have deciphered the exact experience of these mystery
rituals, and virtually all agree that its purpose was to generate
an understanding of eternal life. Their un-derstanding of the
death process has been handed down through the ages in a document
known as The Egyptian Book of the Dead. This book
is simply a detailed description of a near-death experience. It
starts with a judgment scene and goes on to reveal many gods and
various voices, continues on a long boat trip through a dark tunnel,
and ends with union with a bright light.
The Egyptian Book of the Dead is quite similar to The Tibetan Book of the Dead, a manual for dying
that was passed by word of mouth in Tibetan culture until about
fifteen hundred years ago, when it was recorded by Europeans.
Page 82
The Tibetan Book of the Dead gives the dying person con-trol
over his own death and rebirth; The Tibetans, who be-lieved in
reincarnation, felt that the dying person could influence his
own destiny. The Tibetans called. this book Bardo Thodol, or "Liberation by Hearing on the After-Death Plane."
It was meant to be read after death to help the de-ceased
find the right path.
Part of what the priest is supposed
to read goes like this: "Thy own intellect, which is now
voidness. . . thine own consciousness, not formed into anything,
in reality void. . .will first experience the Radiance of the
Fundamental Clear Light of Pure Reality.
"The union of your own consciousness and the Clear Light is
the state of Perfect Enlightment. This is the Great Body of Clear
Light. . the source of life and light."
How similar the Tibetan beliefs to the Egyptians and other ancient
people too, from Europe to Africa.
The Aztec Song of the Dead represents a work that served to enlighten
the Aztecs about the world beyond. This was a society, that practiced
ritual and slow death as part of their basic religion.
Their Song of the Dead tells the story of Quetzalcoatl,
their god and legendary king who discovered the arts, science,
and agriculture and who represented the forces of civilization,
good and light. He is described by his people as "igniting
the creations of man's hands and the imagination of his heart."
"Their Song of the Dead reads
like a poetic version of a near-death experience. It practically
scores off the top of the scale of the Near-Death Experience Validity
Scale developed by researcher Kenneth Ring. The Song reads like
this:
"Then the time came for Quetzalcoatl to die, when
he felt the darkness twist in him like a river."
He then had a life review, in which he remembers all of his
good works and is able to settle his affairs. He then "saw
/ Page 83 / my face/(like looking into a) cracked mirror."
He hears flutes and the voices of friends and then passes through
a shining city and over hills of many colors.. He comes to the
edge of a great sea, where he again sees his own face, during
which time "the beauty of his face returned to him."
There is a bonfire on the beach in which he throws himself,and
. . .
It ended with his heart transformed
into a star.
It ended with the morning star with dawn and evening. '
It ended with his journey to Death's kingdom with seven days
of darkness.
With his body changed to light.
A star that burns forever in that sky.
All of these cultures believed
they left their bodies and embarked on a spiritual voyage,
a journey that had the same traits as that of Katie, who nearly
drowned in that swimming pool in Idaho."
KEEPER OF GENESIS
A
QUEST
FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock
1996
Return to the Beginning
Page 283
'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .
I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'
Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
CHRISTOS SO CHRIST SO CHRISTOS
CHRISTOS SO C HRIS T SO CHRISTOS
SO SEE CHRIST SEE SO
SO SEE C 8991 T SEE SO
SO SEE C 27 T SEE SO
SO SEE C 9 T SEE SO
SO SEE CHRIST SEE SO
CHRISTOS SO C HRIS T CHRISTOS SO
CHRISTOS SO CHRIST CHRISTOS SO
CHRISTOS CHRISTOS CHRISTOS
C HRIS T OS C HRIS T OS C HRIS T OS
SOTHISRC SOTHISRC SOTHISRC
SO THIS R C SO THIS R C SO THIS R C
SO THIS R SEE SO THIS R SEE SO THIS R SEE
SOTHIS SIRIUS OSIRIS ISISISIS OSIRIS SIRIUS SOTHIS
ISIS OSIRIS SO IRIS O IRIS SO OSIRIS ISIS
|
|
6 |
|
6 |
OSIRIS |
89 |
35 |
8 |
|
|
9 |
|
4 |
ISIS |
56 |
20 |
2 |
|
|
1 |
|
3 |
SET |
44 |
8 |
8 |
|
|
|
|
13 |
First Total |
|
|
|
|
|
1+6 |
|
1+3 |
Add to Reduce |
1+8+9 |
6+3 |
1+8 |
|
|
|
|
4 |
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
- |
|
|
|
|
|
4 |
Essence of Number |
|
|
|
CHRISTOS OSIRIS CHRISTOS
SO CHRIST SO IRIS CHRIST SO
T |
|
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
|
3 |
- |
8 |
CHRISTOS |
111 |
39 |
3 |
- |
|
5 |
- |
11 |
Add to Reduce |
|
|
9 |
- |
|
- |
- |
1+1 |
Reduce to Deduce |
1+6+2 |
9+0 |
- |
- |
|
5 |
- |
2 |
Essence of Number |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
8 |
|
- |
|
8 |
|
9 |
1 |
|
6 |
1 |
|
|
|
3+3 |
= |
|
= |
|
|
|
- |
|
|
8 |
|
- |
|
8 |
|
9 |
19 |
|
15 |
19 |
|
|
|
7+8 |
= |
|
1+5 |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
2 |
|
5 |
- |
3 |
|
9 |
|
|
2 |
|
|
|
|
|
2+1 |
= |
|
|
|
|
|
- |
|
20 |
|
5 |
- |
3 |
|
18 |
|
|
20 |
|
|
|
|
|
6+6 |
= |
|
1+2 |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
20 |
8 |
5 |
- |
3 |
8 |
18 |
9 |
19 |
20 |
15 |
19 |
|
|
|
1+4+4 |
= |
|
|
|
|
|
- |
|
2 |
8 |
5 |
- |
3 |
8 |
9 |
9 |
1 |
2 |
6 |
1 |
|
|
|
5+4 |
= |
|
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|
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|
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|
- |
- |
- |
|
|
- |
- |
|
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
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= |
|
- |
- |
|
- |
- |
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- |
- |
- |
- |
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
4 |
- |
- |
- |
- |
- |
- |
- |
|
- |
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|
- |
|
|
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|
- |
|
- |
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|
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- |
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|
|
|
occurs |
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|
= |
5 |
= |
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- |
- |
- |
|
|
- |
|
|
|
|
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- |
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
7 |
- |
- |
|
- |
- |
- |
|
- |
- |
- |
- |
|
- |
|
|
|
|
- |
|
- |
- |
- |
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- |
-- |
- |
|
|
- |
|
|
- |
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
- |
- |
- |
- |
- |
|
- |
|
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
11 |
11 |
T |
H |
E |
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C |
H |
R |
I |
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|
|
34 |
|
|
|
|
|
|
|
1+1 |
1+1 |
|
|
- |
- |
|
|
|
|
- |
- |
- |
- |
|
|
3+4 |
- |
- |
1+1 |
- |
5+4 |
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3+6 |
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2 |
T |
H |
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C |
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R |
I |
S |
T |
O |
S |
|
|
7 |
|
|
2 |
|
9 |
|
9 |
- |
- |
2 |
8 |
5 |
- |
3 |
8 |
9 |
9 |
1 |
2 |
6 |
1 |
|
|
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2 |
2 |
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|
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|
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|
|
|
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|
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|
|
|
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|
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|
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|
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1 |
|
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|
|
|
3+3 |
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|
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|
|
|
|
|
8 |
|
- |
|
8 |
|
9 |
19 |
|
15 |
19 |
|
|
|
7+8 |
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|
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|
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|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
2 |
|
5 |
- |
3 |
|
9 |
|
|
2 |
|
|
|
|
|
2+1 |
= |
|
|
|
|
|
|
20 |
|
5 |
- |
3 |
|
18 |
|
|
20 |
|
|
|
|
|
6+6 |
= |
|
1+2 |
|
= |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
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|
|
|
|
|
- |
- |
|
|
20 |
8 |
5 |
- |
3 |
8 |
18 |
9 |
19 |
20 |
15 |
19 |
|
|
|
1+4+4 |
= |
|
|
|
|
|
|
2 |
8 |
5 |
- |
3 |
8 |
9 |
9 |
1 |
2 |
6 |
1 |
|
|
|
5+4 |
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|
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|
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|
|
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- |
|
- |
- |
|
|
- |
- |
|
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|
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|
|
|
|
|
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|
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= |
|
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
|
|
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|
= |
4 |
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|
- |
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
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|
|
|
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|
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3 |
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|
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- |
|
- |
|
- |
- |
|
- |
- |
- |
- |
|
|
|
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|
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5 |
= |
|
- |
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
occurs |
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|
= |
6 |
= |
|
-- |
- |
|
|
- |
|
|
- |
|
- |
- |
- |
- |
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occurs |
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= |
16 |
1+6 |
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- |
- |
- |
- |
- |
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- |
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- |
- |
- |
- |
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occurs |
x |
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= |
18 |
1+8 |
|
11 |
T |
H |
E |
- |
C |
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R |
I |
S |
T |
O |
S |
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34 |
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1+1 |
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- |
- |
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- |
- |
- |
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3+4 |
- |
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1+1 |
- |
5+4 |
- |
3+6 |
2 |
T |
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- |
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7 |
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9 |
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9 |
- |
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8 |
5 |
- |
3 |
8 |
9 |
9 |
1 |
2 |
6 |
1 |
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- |
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- |
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- |
- |
2 |
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7 |
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9 |
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9 |
SEE HRISTOS SEE
SEE 8991261 SEE
SEE 8+9+9+1+2+6+1 SEE
SEE 36 SEE
SEE 36 SEE
SEE 9 SEE
ZEUS SEE US US SEE ZEUS
HEAR US RHEA RHEA US HEAR
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
DO NOT GO GENTLE INTO THAT GOOD NIGHT
Dylan Thomas
(27 October 1914 – 9 November 1953)
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
T |
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33 |
15 |
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62 |
26 |
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4 |
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40 |
22 |
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Add to Reduce |
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- |
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1+3 |
Reduce to Deduce |
1+3+5 |
6+3 |
1+8 |
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Essence of Number |
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8 |
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6 |
1 |
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9 |
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- |
9 |
5 |
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3+8 |
= |
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1+1 |
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- |
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8 |
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- |
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15 |
19 |
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9 |
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- |
9 |
14 |
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7+4 |
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1+1 |
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- |
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I |
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- |
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2 |
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5 |
- |
3 |
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4 |
- |
3 |
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4 |
- |
- |
4 |
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2+5 |
= |
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- |
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20 |
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5 |
- |
3 |
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13 |
- |
3 |
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13 |
- |
- |
4 |
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6+1 |
= |
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= |
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- |
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- |
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I |
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M |
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- |
- |
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- |
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20 |
8 |
5 |
- |
3 |
15 |
19 |
13 |
9 |
3 |
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13 |
9 |
14 |
4 |
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1+3+5 |
= |
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- |
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2 |
8 |
5 |
- |
3 |
6 |
1 |
4 |
9 |
3 |
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4 |
9 |
5 |
4 |
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6+3 |
= |
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- |
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- |
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I |
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M |
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- |
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-- |
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- |
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- |
- |
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- |
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- |
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- |
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occurs |
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= |
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-2- |
- |
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- |
- |
- |
- |
- |
- |
- |
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- |
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- |
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- |
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occurs |
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= |
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- |
- |
- |
- |
- |
- |
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- |
- |
- |
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- |
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- |
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occurs |
x |
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= |
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= |
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- |
- |
- |
- |
- |
- |
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- |
- |
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4 |
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- |
4 |
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occurs |
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= |
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1+2 |
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- |
-- |
- |
- |
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- |
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- |
- |
- |
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- |
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5 |
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occurs |
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= |
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1+0 |
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-- |
- |
- |
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- |
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- |
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- |
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occurs |
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= |
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7 |
- |
- |
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- |
- |
- |
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- |
- |
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- |
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- |
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- |
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-- |
- |
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- |
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- |
- |
- |
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- |
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- |
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occurs |
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= |
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= |
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- |
- |
- |
- |
- |
- |
- |
|
- |
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- |
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- |
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- |
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occurs |
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1+8 |
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7 |
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- |
1+3 |
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- |
- |
- |
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- |
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- |
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- |
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3+8 |
- |
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1+3 |
- |
6+3 |
- |
3+6 |
7 |
4 |
T |
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E |
- |
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O |
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M |
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11 |
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4 |
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- |
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2 |
8 |
5 |
- |
3 |
6 |
1 |
4 |
9 |
3 |
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4 |
9 |
5 |
4 |
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- |
1+1 |
- |
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7 |
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T |
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- |
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2 |
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- |
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8 |
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- |
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6 |
1 |
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9 |
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- |
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5 |
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3+8 |
= |
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1+1 |
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= |
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8 |
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- |
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15 |
19 |
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9 |
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- |
9 |
14 |
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7+4 |
= |
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1+1 |
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5 |
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3 |
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3 |
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4 |
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2+5 |
= |
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20 |
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5 |
- |
3 |
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13 |
- |
3 |
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13 |
- |
- |
4 |
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6+1 |
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= |
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= |
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M |
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- |
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20 |
8 |
5 |
- |
3 |
15 |
19 |
13 |
9 |
3 |
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13 |
9 |
14 |
4 |
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1+3+5 |
= |
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= |
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2 |
8 |
5 |
- |
3 |
6 |
1 |
4 |
9 |
3 |
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4 |
9 |
5 |
4 |
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6+3 |
= |
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= |
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- |
- |
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- |
- |
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- |
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occurs |
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= |
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= |
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- |
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- |
- |
- |
- |
- |
- |
- |
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- |
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- |
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- |
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occurs |
x |
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= |
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= |
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- |
- |
- |
- |
- |
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- |
- |
- |
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- |
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- |
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occurs |
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= |
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= |
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- |
- |
- |
- |
- |
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- |
- |
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4 |
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- |
4 |
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occurs |
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1+2 |
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-- |
- |
- |
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- |
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- |
- |
- |
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- |
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5 |
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occurs |
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= |
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1+0 |
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- |
- |
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- |
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- |
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- |
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occurs |
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= |
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-- |
- |
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- |
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- |
- |
- |
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- |
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- |
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occurs |
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= |
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= |
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- |
- |
- |
- |
- |
- |
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- |
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- |
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- |
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- |
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occurs |
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= |
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1+8 |
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- |
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I |
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M |
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N |
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1+3 |
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- |
- |
- |
- |
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- |
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- |
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- |
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3+8 |
- |
|
1+3 |
- |
6+3 |
- |
3+6 |
4 |
T |
H |
E |
- |
C |
O |
S |
M |
I |
C |
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M |
I |
N |
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|
11 |
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4 |
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2 |
8 |
5 |
- |
3 |
6 |
1 |
4 |
9 |
3 |
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4 |
9 |
5 |
4 |
|
- |
1+1 |
- |
- |
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T |
H |
E |
- |
C |
O |
S |
M |
I |
C |
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M |
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N |
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2 |
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I |
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I |
N |
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- |
- |
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8 |
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6 |
1 |
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9 |
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- |
9 |
5 |
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3+8 |
= |
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1+1 |
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= |
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8 |
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15 |
19 |
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9 |
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- |
9 |
14 |
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7+4 |
= |
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1+1 |
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= |
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I |
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M |
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N |
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- |
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2 |
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5 |
3 |
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4 |
- |
3 |
4 |
- |
- |
4 |
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2+5 |
= |
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= |
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|
20 |
|
5 |
3 |
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|
13 |
- |
3 |
13 |
- |
- |
4 |
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6+1 |
= |
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= |
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= |
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I |
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M |
I |
N |
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- |
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|
20 |
8 |
5 |
3 |
15 |
19 |
13 |
9 |
3 |
13 |
9 |
14 |
4 |
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1+3+5 |
= |
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= |
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2 |
8 |
5 |
3 |
6 |
1 |
4 |
9 |
3 |
4 |
9 |
5 |
4 |
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6+3 |
= |
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= |
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I |
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M |
I |
N |
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- |
- |
|
- |
- |
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|
- |
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|
- |
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- |
- |
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occurs |
x |
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= |
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= |
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- |
|
- |
- |
- |
- |
- |
- |
|
- |
- |
|
- |
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occurs |
x |
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= |
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= |
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- |
- |
- |
- |
|
- |
- |
- |
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|
- |
|
- |
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occurs |
x |
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= |
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= |
|
- |
- |
- |
- |
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- |
- |
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|
4 |
|
- |
4 |
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occurs |
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= |
|
1+2 |
|
-- |
- |
- |
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- |
- |
- |
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- |
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5 |
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occurs |
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= |
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1+0 |
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- |
- |
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- |
|
- |
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occurs |
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= |
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= |
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-- |
- |
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- |
- |
- |
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- |
|
- |
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occurs |
x |
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= |
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= |
|
- |
- |
- |
- |
- |
|
- |
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- |
- |
|
- |
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occurs |
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= |
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1+8 |
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I |
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M |
I |
N |
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1+3 |
|
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|
- |
- |
- |
- |
|
- |
- |
|
- |
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|
3+8 |
- |
|
1+3 |
- |
6+3 |
- |
3+6 |
4 |
T |
H |
E |
C |
O |
S |
M |
I |
C |
M |
I |
N |
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11 |
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4 |
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2 |
8 |
5 |
3 |
6 |
1 |
4 |
9 |
3 |
4 |
9 |
5 |
4 |
|
- |
1+1 |
- |
- |
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T |
H |
E |
C |
O |
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M |
I |
C |
M |
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2 |
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|
THE MAGIC MOUNTAIN
Thomas Mann 1924
THE THUNDERBOLT
Page 715
"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:
"And loving words I've carven
Upon its branches fair-"
He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:
"Its waving branches whiispered
A message in my ear -"
and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?
FINIS OPERIS
OSIRIS ISIS OSIRIS
CHRISTOS CHRIST SO SEE HERE IS THE CHRISTOS
6 |
CHRIST |
77 |
30 |
3 |
- |
|
- |
- |
- |
2 |
|
34 |
7 |
7 |
1 |
|
18 |
9 |
9 |
1 |
|
3 |
3 |
3 |
4 |
|
56 |
20 |
2 |
8 |
CHRISTOS |
111 |
39 |
21 |
- |
- |
1+1+1 |
3+9 |
2+1 |
8 |
CHRISTOS |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
8 |
CHRISTOS |
3 |
3 |
3 |
SO OSIRIS IRIS IS IS IRIS OSIRIS SO
SO THIS SIRIUS THIS SO
- |
|
- |
- |
- |
2 |
|
34 |
7 |
7 |
3 |
|
36 |
27 |
9 |
1 |
|
19 |
1 |
3 |
6 |
OSIRIS |
89 |
35 |
21 |
- |
- |
8+9 |
3+5 |
2+1 |
6 |
OSIRIS |
17 |
8 |
8 |
- |
- |
1+7 |
- |
- |
6 |
OSIRIS |
8 |
8 |
8 |
OSIRIS = 89 8x9 = 72 = 8x9 89 = OSIRIS
LOVE DIVINE GODS DIVINE LOVE
9 9 9 9 9 9 9 9 9666666666
THAT LIGHT THAT
GODS
DIVINE THOUGHT DIVINE
LOVE EVOLVE EVOLVE LOVE
DO UNTO OTHERS AS YE WOULD HAVE OTHERS DO UNTO
THEE
AS YE SOW SO SHALL YE REAP
THE LAW OF UNIVERSAL KARMAS THE PERFECT CREATIVE BALANCING OF THE LAW THAT HOLY MAAT IS
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